Why should you care about the best high-end electric guitars? Well, we think that every player reaches a point where they need at least one guitar that oozes luxury and class, or they at least have a guitar of this calibre they aspire to own. We're talking the kind of premium instrument that’s guaranteed to turn heads and drop jaws wherever you take it. As we all know, not all axes are made equally – and while that doesn’t mean you can’t find great tones and playability on a budget – sometimes the right combination of exotic woods, master craftsmanship and custom pickups can take your playing that extra level further.
In all fairness, those less versed in the world of guitars might not notice these differences – they might feel any plank of wood with strings will sound pretty much the same and struggle to appreciate why high-end instruments come with such eye-watering high-end price tags.
But those more devoted to the cause will be able to detect the upgrades, from subtle tonal nuances to more obvious aesthetic details. While we’re on the subject of looks, it’s worth noting that PRS have a long-running history of creating instruments that look every bit as beautiful as they sound, with all manner of figured tops and custom finishes to blow our minds. Then, of course, there’s the jaw-dropping work coming out of the Fender Custom shop – whose master builders are unrivalled when it comes to expertise. And the same can be said for instruments being shipped out of Gibson’s Custom factory in Nashville, which perfectly replicate – and occasionally even better – those game-changing instruments which made the company famous in the 50s.
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So no matter what kind of music you play, or what kind of tones you are hoping to dial in, here’s a look at the best high-end electric guitars being made right now…
Rather than being period-correct reincarnations, Fender's Original series aims for a ‘best of decade’ vibe. So, this Strat is alder bodied with a ‘round-laminate’ rosewood fingerboard that was implemented in mid-1962.In a mid-'60s style we get Pure Vintage ’65 Gray-Bottom single coils on an 11-screw mint-green pickguard with aged white controls.
Meanwhile, a concession to modernism is the second, lowest, tone control, which originally would have been for the middle pickup, but here works on both the middle and bridge pickups.Another 'modern' inclusion is the ubiquitous five-way lever switch, which didn’t actually replace the original three-way switch on the Stratocaster until 1977.
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We defy anyone who opens a case and sees one of these beauts not to have an ‘OMG’ moment. The guitar that launched thousands of dreams back in the day still impresses decades on.You’ll find these ‘fixes’ on many Fender Custom Shop models, of course, but while these don’t come with any ageing or relic’ing they are significantly cheaper.Yet, viewed from a modern day perspective, it gives Fender’s USA models a rare unity, a vintage nod to the escalating modernism of the Professional and ultra-tweaked and posher Elites.
If you hanker after a new USA-made production Fender and want the most vintage-spec possible, this is it. Vintage-inspired, yes, but with the fixes that many players will embrace.
Gibson’s flagship Les Paul Custom has graced the hands of some of history’s most memorable guitarists since its inception in the mid-’50s. Obviously, things have changed a little since then. On the surface, the Les Paul Custom is still fairly true to the original ‘tuxedo’ in its appearance, but under the hood it’s a different story.
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Gibson’s iconic 490R and 498T pickups adorning today’s Customs provide a modern take on a ‘50s PAF. The result is a smorgasbord of rich, vintage-inspired tones - with enough versatility to see you through virtually any musical scenario. Whether you’re a jazz player after a little more edge or a metalhead looking for something less pointy, a Custom will more than likely fit the bill.
A mahogany body and carved maple top are crucial to a modern Custom’s recipe. The density of mahogany supplies that earth-shaking sustain that we know and love, and the snappy brightness of maple counteracts wonderfully. It’s this balance of dark and light that has kept the Les Paul Custom in the hearts and minds (and hands) of so many musicians for so long.
Granted, for some it’s not the absolute pinnacle of perfection. It’s a heavy thing, even with the weight relief of modern Gibsons, and the 24.75” scale and 12” radius won’t suit everyone. As a representation of the perfect Les Paul though, it doesn’t disappoint.
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Fender’s ability to always find new ways to update and upgrade their guitars is frankly incredible. Granted, they’ve not reinvented the wheel - but Fender will always find a way to make their guitars appeal to an even wider audience than before.
The American Professional II is similar to its predecessor in most of its specifications, but the few tweaks make this guitar even sweeter than the last. Fender’s popular deep ‘C’ neck now has smooth rolled fingerboard edges for extra playability and comfort, and a ‘Super-Natural’ satin finish to the back of the neck helps the cause. The neck heel has been carefully carved away too, to enable easy access to those upper frets. This is a neat touch from Fender, which makes the whole range feel just a bit more premium.
The electronics also remain archetypally ‘Tele’, but with some slight tweaks. V-Mod II pickups adorn this model, with the same blend of Alnico 2 and 5 magnets as the original Pro series. They’ve been updated however, shaving some of that extra high-end off to allow the midrange to shine through. The tone pot houses a push-push switch to run both pickups in series, and also to provide some extra opportunities for those that need a little extra power behind their tone.
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Overall, the American Professional II Telecaster is a fantastic modern Tele. It’s not a guitar for those who want true vintage spec or tone, and it’s not for those who want the most innovative, up-to-date iteration of a Fender either. It’s a guitar capable of much more than you’d expect.
When it comes to modernising an iconic instrument, you will always divide opinion - and the Silver Sky from PRS has definitely done that since its release in 2018. A brainchild of John Mayer and Paul Reed Smith himself, the Silver Sky strikes the balance between homage and innovation, respecting the classics while also showing us a little glimpse of the future.
Spec-wise, this guitar incorporates the best of vintage and modern. Its 7.25” radius fretboard offers that old-guitar familiarity, with both thumb-over and behind techniques a breeze. The neck is described by PRS as a C/D hybrid, so really comfort is not an issue here. The frets are vintage-spec, and are therefore thinner and shorter than what many might be used to, but feel great to play. There’s more fingertip-on-fretboard contact because of this, which provides great resonance, as well as that typical ‘snap’ we all love from these kinds of guitars. The 635JM pickups are also party to this - a fantastic blend between fat, thin, bright and warm, with some of the harsher overtones dialled out for the modern player.
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At this price, the Silver Sky occupies some pretty scary territory for a plain-and-simple bolt-on. However, you’re paying for expertise, world-renowned craftsmanship, and a guitar that is the perfect blend of old and new - and who can put a price on that?
Gibson’s ES-335 has always been a stand-out choice in their range. They’ve been played by jazz greats, rock-and-rollers and grunge icons, and nearly everyone in-between.
An ideal blend of form and function, this ES-335 features a maple centerblock and Adirondack spruce bracing. Not only does this reduce feedback at high volumes, but also increases sustain - providing you with that rich, full tone that the 335 is known for. The quarter sawn mahogany neck and rosewood fingerboard also accentuate this incredible depth of tone; you feel the whole thing come alive under your fingers, humming with excitement.
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Speaking of humming, that’s not something you need to worry about with this ES-335, as Gibson have armed it with a pair of calibrated T-type humbuckers. They’re a medium-output humbucker that reinforces that brilliant warmth of the semi-hollowbody, but can also be brought to life with a touch of overdrive. The expressive nature of this guitar running through a slightly hot amp is something of true wonder.
Granted, this guitar isn’t cheap - but in return you get a spectacularly versatile and sophisticated instrument that will take just about anything you throw at it. Don’t throw anything at it, though.
The EC-1000ET is an all-mahogany single-cut loaded with a set of EMG 81 and 60 active humbuckers, a comfortably modern neck and a high level of construction quality. Its key selling point, however, is a fitted EverTune bridge -unlike other tuning systems, it doesn't tune your guitar for you or offer altered tunings. Instead, once set and tuned, it simply aims to stay there, thanks to a series of tension-calibrated springs and levers.
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