It’s no longer necessary to drag a half stack to every gig. In this world of decreasing stage volume, you can make the most of any gig with a solid, affordable gigging amp.
In our small combo amps post, we capped it at 40 watts and $300. Here we’ll cap it at 100 watts and $1, 000, with a focus on combo style amps. Looking for a stage amp that won’t break your back and the budget? Consider our list of the best amps under $1, 000 for gigging for your next tour.
Once upon a time, if you wanted to be heard over your drummer in any kind of rock venue, you needed to pack, at minimum, two speakers and 50 watts. In larger venues, this became four to eight speakers and 100 watts. You'd stand in front of your cranked amp moving tidal waves of air just to be heard. That's just how you did it, much to the despair of your ears.
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The advent and proliferation of PA systems at every venue large and small means that you don't really need that kind of earth-shaking power anymore. I mean, don't get me wrong, you can still have it if you want. Many players still use their dimed Marshall stacks, relying either on in-ear monitors or good ol' fashioned ear plugs to save their hearing.
But for many modern players, the concept of a gigging amp has scaled down quite a bit into packages that could generously be called combo amps, thanks to the increasing efficiency of speakers and other factors. Everything on this list qualifies as a combo amp - that is, a single cabinet with the amplifier and the speaker together, as opposed to stacks, where the amp is a unit separate from the speaker cabinet.
Crucially, though, the biggest change is that no matter what amp you're using, the sound tech can stick a mic in front of it and use the power of the PA to broadcast it to the whole room.
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This has a few benefits. Number one is the improvement of tone. While hugely powerful amps sound great when turned way up, the times when such a thing is permitted are few and far between. Your 15 watt club amp, on the other hand, can be pushed into tube-driving breakup in a wider variety of settings, which means that you spend more time in the ideal tonal range.
The second, perhaps more readily observable effect is the one on price. It's no sweat to break $2, 000 on a decent half stack, but many of the brands making top-of-the-line head and cab pairs also make lower-wattage combos that deliver similar tone below $1, 000.
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What's more, the advantage of portability is difficult to ignore. Sure, you feel like a complete badass once the your stack is setup and cranking, but unless you have a crew, it's easy to feel like a chump when you're making four trips out of the crowded bar to your illegally parked station wagon because both parts of your amp require two hands to carry.
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Heaven forbid you ever have to get out of a gig quickly for reasons of personal safety as I have; those casters aren't going to save you when you're on the second floor and you have to choose between the blocked main entrance or the twisting fire escape.
This is a difficult question to answer without other details. If you go solid state, you'll need more wattage than you would in an equivalent tube amp. Hybrid amps are great for keeping the weight down, but have similar power requirements to solid state, since it's the power stage in those amps that is lacking tubes.
There's a great graphic here with some basic ideas about what format and power you're likely to need based on the venue you plan to play. That Pedal Show did an entire episode on this subject, wherein the central conclusion was that you can get good, club-quality sounds from almost any amplifier if all of your gear is working together properly.
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Often, EQ is a more important factor than volume. If you can cut through a mix, you'll be heard, even if you're playing a low-wattage amp. An EQ pedal can help with this, especially if you roll off some lows before you hit the input of your amp as these require more power to amplify.
As wattage increases, as does headroom. Where you might use a low wattage amp to generate that natural, lovely breakup by exceeding the amp's headroom, you'd use a higher wattage amp to ensure you have plenty of space for playing dynamics and for all your pedals.
Here's the short version: Get an amp you like the sound of and mic it at the show. You're much more likely to be told to turn down than to turn up, anyway, so you might as well dial in a sound you love.
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Looking for a stage amp that won't break your back and the budget? Consider our list of the best guitar amps under $1, 000 for gigging.
Heaven forbid you ever have to get out of a gig quickly for reasons of personal safety as I have; those casters aren't going to save you when you're on the second floor and you have to choose between the blocked main entrance or the twisting fire escape.
This is a difficult question to answer without other details. If you go solid state, you'll need more wattage than you would in an equivalent tube amp. Hybrid amps are great for keeping the weight down, but have similar power requirements to solid state, since it's the power stage in those amps that is lacking tubes.
There's a great graphic here with some basic ideas about what format and power you're likely to need based on the venue you plan to play. That Pedal Show did an entire episode on this subject, wherein the central conclusion was that you can get good, club-quality sounds from almost any amplifier if all of your gear is working together properly.
Toronto Studio 6
Often, EQ is a more important factor than volume. If you can cut through a mix, you'll be heard, even if you're playing a low-wattage amp. An EQ pedal can help with this, especially if you roll off some lows before you hit the input of your amp as these require more power to amplify.
As wattage increases, as does headroom. Where you might use a low wattage amp to generate that natural, lovely breakup by exceeding the amp's headroom, you'd use a higher wattage amp to ensure you have plenty of space for playing dynamics and for all your pedals.
Here's the short version: Get an amp you like the sound of and mic it at the show. You're much more likely to be told to turn down than to turn up, anyway, so you might as well dial in a sound you love.
Yamaha Thr10ii Desk Top Amplifier 20w
Looking for a stage amp that won't break your back and the budget? Consider our list of the best guitar amps under $1, 000 for gigging.
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