Boy AzoogaBoygeniusEric ClaptonEzra FurmanFather John MistyFirst Aid KitGaz CoombesGuns N RosesJ MascisJimi HendrixJoe BonamassaJohnny MarrJonathan WilsonKurt VileNathaniel Rateliff & The Night SweatsPatrick SweanyRobben FordSpiritualizedThe James Hunter SixTides Of Man
In this list we’ve compiled some of the best albums we’ve heard over the past year. Each of these records feature elements that have challenged the sonic territories we’ve become familiar with. Whether it’s a visceral solo, some chugging pop riff, or moving acoustic balladry, these albums have pushed the boundaries of -playing as we know it.
Since charming fans of dreamy -heavy psychedelia with 2013’s Fanfare, Laurel Canyonite Jonathan Wilson has been a busy man making records for the likes of Father John Misty and Roy Harper, as well as touring the world as Roger Waters’ lead ist.
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It’s the latter that shines through most on this, his much-anticipated third studio record. The spirit of Floyd is felt strongly here, from the
The occasional interludes of 80s synths, drum machines and harpsichords are new, but one constant is Wilson’s superlative and varied work, effortlessly straddling prog, glam, folk, rock and everything in between. An album that was more than worth the wait.
We said: “Authenticity has always been the thing that sets Wilson apart from his revivalist peers, both sonically and atmospherically, and it’s this care and attention that marks this out as the album of 2018.”
Guitar Player Magazine (steve Miller The Space Cowboy Cuts His Best Guitar Album Ever, September 2010): Amazon.com: Books
The brainchild of Cardiff multi-instrumentalist Davey Newington, Boy Azooga’s debut record provided a shot in the arm for British music when it landed in June. A colourful and dynamic record with influences ranging from Pet Sounds to Tame Impala, and lyrical content lilting from suburban dreams to black-comedy novella, Boy Azooga might be the most interesting new British band of 2018.
How do you improve one of the greatest albums ever made? Well, you can’t, but this stunning (and stunningly expensive) reissue package certainly enhances the fan experience. And while the lithos, book and live cuts are great, the real gem is the 1986 Sound City session. It’s the sound of lightning being captured in a bottle, and a band on the verge of superstardom.
Primarily an acoustic affair, but with the occasional trademark Mascis solo, the track sees the Dinosaur Jr man demonstrate an impressive versatility both as an acoustic and electric player. Mascis’s vocal style suits acoustic balladry just as well as noisy grunge.
The Best Guitar Albums Of 2022
Kinetic and chugging pop, acoustic ballads and gorgeous harmonies. Each member’s distinct strengths have combined to become greater than the sum of their already impressive parts.
Reflects the globe-trotting success of Vile’s last two albums. An LP about broadening horizons while holding fast to what made you special in the first place.
Written and recorded almost entirely by Jason Pierce at home in London, the result is one of his best records in years.
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Thirteen albums in, Joe’s love for the hasn’t waned. Zeppelin-esque riffery sits alongside minor-key ballads and atmospheric dobro, to create one of his finest cuts.
Doubles down on scuzzy rock to create an album of raw garage-blues tunes that give equal weight to his expressive playing and his emotive vocals.
We said: “While his contemporaries might be moving away from what made them stars, Ancient Noise demonstrates that the blues still has plenty to offer.”
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Half as long as its predecessor but packed with the wry wit, lush orchestration and yearning fragility that characterises Josh Tillman’s best work.
We said: “Coombes’ songwriting has become increasingly refined over the years, and World’s Strongest Man is a hugely impressive effort on the part of the ex-Supergrass man.”
Thirteen fascinating recordings made between 1968 and 1970, 10 of which are previously unreleased, with many laid down with Billy Cox and Buddy Miles.
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Furman reaffirms his status as the leader of the vagabonds. Fuzzy s, doo-wop melodies and detuned acoustics all warp into a glorious digital haze.
Veteran Essex soul-man James Hunter dives further into the retro deep end on his latest offering. Recorded with Grammy-nominated Bosco Mann (of Amy Winehouse’s
We said: “The star of the show is Hunter’s voice – powerful and soulful, it illuminates these tracks with warmth and conviction.”At , we’re looking to provide you with inspiration to take up the guitar. Sometimes, all you need to provide that influence is an album of exceptional music. It might be specifically focused on guitar, or contain some seriously influential guitar parts. Either way, I’ve avoided giving a specific ranking. These albums all appear in a non-ranked list of the greatest albums a guitarists should hear.
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With David Gilmour’s beautiful playing present in a variety of shapes and sizes throughout, this is definitely not one to miss. From the blues rock riffing of ‘Young Lust’, to the washy acoustics of ‘Hey You’ and the iconic, harmonic-heavy solo at the end of ‘Comfortably Numb’, this has to be one of the greatest of all time.
When Satch says surfing, he means it. He surfs around the neck of his guitar, combining lyrical melodies with virtuosic explorations of shredding and performance dexterity. This entire album is an exploration of what can be done with a guitar.
As I’m sure you’re aware, Guthrie Govan is arguably the greatest living guitarist. This album came before his explosion into fame as a hero of progressive rock, and shows him exploring various styles with his trademark tone and perfection.
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Demonstrated through his magnificent tone and feeling of his instrument, the greatest bluesman of all time demonstrates his love for his guitar (also called Lucille) on this album. Standout tracks include the 10-minute title track and the excellent improvisation of ‘I Need Your Love So Bad’.
Are You Experienced? is one of the first albums that used the guitar in the aggressive, distorted and powerful way Jimi Hendrix did. While a virtuoso performer, Hendrix also had the ability to channel emotion and feeling into his music, balanced out by exceptional songwriting skill shown in tracks like ‘The Wind Cries Mary’ and ‘Manic Depression’.
Jimmy Page remains one of the most successful players ever to combine blues and rock riffage. Monstrous tracks like ‘Stairway To Heaven’ are known for their exceptional guitar solos (is it the greatest of all time?) so be sure to check this one out.
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Known as one of the greatest albums of all time, Dark Side Of The Moon is an incredible experience whether you’re listening for the guitar or not. When you start to focus on the playing in ‘Time’ and ‘Breathe’, for example, its clear that Gilmour is a powerhouse in everything else, as well as The Wall.
While this is a comedic concept album clocking in at over two hours, it also includes some majestic guitar work from psychedelic genius Frank Zappa. Take the 9/4 metre, 7 minute long solo on ‘Watermelon In Easter Hay’.
Robert Fripp is known for playing exceptional melodies on David Bowie tunes like ‘Heroes’, but his work with King Crimson is experimental, aggressive and interesting throughout. This is true innovation so be sure to check it out.
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Slash exists in a strange middle ground where some regard him as the most melodic guitarist of all time, and others think he is a bit of an overrated poser… either way, ‘Sweet Child O Mine’ is still my favourite guitar solo of all time. You can buy the CD here.
Taught by Joe Satriani himself, it’s no real surprise that Steve Vai is capable of releasing some incredible guitar albums. This one in particular is littered with gems, such as ‘Blue Powder’.
If you’re looking for extreme metal, The Anthropocene Extinction is arguably the greatest work of the 2010’s. The speed of the shredding and aggression of the tone makes this the perfect way to get inspired if you’re writing metal.
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Speaking of extreme metal, Death were one of the innovators of death metal. Their final album took progressive influences, with the opening track including some incredibly displays of virtuosity and rhythmic explorations.
Steve Hackett’s work with Genesis shows the band at their best, taking progressive rock to a whole new level. This album includes highlights such as his opening, almost hip-hop riff on ‘Dancing With the Moonlit Night’ and the magical solo on ‘Firth Of Fifth’.
With the duelling lead guitars of Dave Murray and Adrian Smith making up much of this album, it’s impossible to say that Iron Maiden aren’t arguably the best riff writers in music.
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Jazz guitar is often hard to take to the highest level, but Django does just that in this compilation put together alongside Stephane Grappelli.
The innovators of djent music, if you’re looking to expand your rhythmic exploration then give this one a listen. It has polyrhythms and complex time signatures pouring out throughout.
One particular track on this album, ‘One’, displays the true collaboration between Kirk Hammett and James Hetfield. It transitions from a moving, melodic opening solo to the explosive, tap-heavy conclusion.
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Pantera lead guitarist Dimebag Darrell has the ability to tear through shredding solos, deliver weirdly funky-heavy riffs and play with surprising heartfelt sincerity. Give this one a listen here.
Taking heavy, polyrhythmic riffs to the extreme, Ashes Of The Wake can inspire any guitarist to pick up their instrument and write a crushingly heavy
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