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With a wealth of online resources available today, many wonder if it is possible to self-learn the guitar without a teacher. Teachers can be expensive or unavailable, so what would self-learning how to play guitar look like?
Anybody can learn how to play the guitar on their own. Things that can contribute to making this process easier include a good mindset of determination, a decent instrument, access to good information and online videos, recordings of the music, sheet music, and perhaps a good social environment.
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The study of music is very similar to the learning of a new language. Initially, you can have great success picking up simple phrases and repeating them, but to really learn, you have to immerse yourself and it will take time to be fluent.
The very first thing to know what to do is learn the names of the strings, and then get a guitar tuner. It can be either an electronic clip-on tuner, an app on your phone, a tuning fork, or a tuner that your guitar cable can plug into.
Later on you will learn to tune it by ear, but remember that even a world class musician like Joe Pass said matter of factly that he still used a tuner. So keep it, it’s a useful tool.
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This decision will greatly impact your self-learning guitar journey. It’s best to identify your favorite bands or songwriters and play the music you enjoy.
If for instance you find that you like a lot of classic rock music like the Beatles, Eagles, Rolling Stones, Led Zeppelin or Queen, this will probably lead you to pick out an electric guitar, guitar picks and focus more on the demands of that music: chords, soloing, improvisation based around the blues and popular music.
Interested in jazz music, then you would probably choose a more appropriate guitar suited for jazz and study more melodic lines with some chordal accompaniment. You’ll learn more listening to records and imitating them like Wes Montgomery did with his idol Charlie Christian.
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The Songbird Music Academy approach, which would appear more classical in style, would try to encourage the study of Italian solfeggio first, before attempting to play a guitar. Then the study of partimento will teach how to realize music over basses in different ways. Ultimately, much of the methods of the 18th-century Neapolitan conservatories has great applicability to contemporary music. Many of the schema that were present in the 18th-century can easily be adapted to contemporary music.
Guitar tablature is as old as it gets. It’s a myth that it is a modern invention and it is no doubt extremely popular for learning melodies for beginning students. Students who get experienced in guitar tablature tend not to be readers of standard music notation and this is perhaps a waste.
Music notation is extremely useful because it very clearly reveals the counterpoint and schema of the music, or the necessary information needed to understand the piece at a technical and compositional level.
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If you were to learn jazz, you could learn directly off records and imitate what you hear. You could also read music notation and learn transcripts. Typically a mixture of both is what would be ideal.
If you are able to hum a tune or know how to keep the melody of a song in your mind, strumming chords from the beginning might be a fun way to get into the guitar right away.
The trouble with learning chords first is that if you are a total beginner to music, you might strum the chords of a song and be frustrated that the whole production including the melody doesn’t come out when you strum the basic chord progression.
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So since you are learning the guitar on your own, you have to gauge your musical aptitude. If you consider yourself “tone deaf”, you might want to play melodies or riffs on the guitar first before playing chords.
Playing melodies means hearing the tune right away and or a recognizable hook to a song. Play as many melodies, riffs and hooks until you feel more confident in picking out melodies when listening to songs. Learn how to separate the melody from the other sounds in a song (the accompaniment or other voices).
Once you have a decent grasp of melody, you should try to learn to accompany yourself with chords and singing the melody to yourself. If you can do this in time, you are doing quite well.
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You can play with either but I will tell you the typical way people do it, and it is largely dependent on style. Classical guitarists will typicall use their fingers, and/or nails. You hardly ever see a classical guitarist playing with a pick, which would be highly unusual.
Guitarists who play rock ‘n roll, or contemporary popular use guitar picks when strumming chords or playing guitar solos. Keep in mind that there are also guitarists who use their fingers when playing these styles as well. It would probably make more sense to use a guitar pick for contemporary styles as the styles developed with the musicians using it.
The same is true for jazz guitarists. Many use guitar picks, even there are some who use just their fingers, especially when playing fingerstyle. If you are interested in jazz, a pick would probably be a good idea as well.
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If you are interested more in acoustic guitar fingerstyle or plucking the strings, then it using your fingers would be a good option. This would require training in finger independence and is a very different style from plectrum-based guitar music.
In the end, either works fine. Keep in mind that if you opt not to use a guitar pick, you will need to find solutions for playing faster notes with your fingers such as hammer-on and pull-offs with your left hand or using more fingers in your right hand like a classical guitarist to play runs.
This can be a point of contention, especially in contemporary styles. Many famous guitarists in the 20th-centurcy are self-taught purely by imitation and listening. There are incredible guitarists like Tommy Emmanuel who cannot sight-read but are virtuosos of the highest rank.
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Still, at Songbird Music Academy, reading is part of the curriculum, and is necessary for the activities that will take place later like written counterpoint studies.
As mentioned earlier, some beginning students learn the guitar with guitar tablature but this is not advisable because it becomes a crutch and you don’t really use your ear much. The same problem can be true for those who can only sightread music notation but this is solved with training in sight-singing with Italian solfeggio.
The kind of music you like might inspire you to tackle music that’s ordinarily more difficult than your level. This isn’t a bad thing, as long as you have the interest motivating you, play what you like. Someone who likes the music they are playing will be much more motivated to practice.
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To learn a few basic chords won’t take very long at all. This is the same with a strumming pattern. With one strumming pattern and 3-4 basic chords, you could actually play many songs (they would have to all be in the same key though). In one afternoon you could learn a couple of chords and a right-hand strumming pattern. It might take a month of playing everyday to turn that into a cohesive song.
If you want to realize Fenaroli partimenti on the guitar, that might take a bit more work. This will require the study of thoroughbass and partimento which will come later.
It’s best to view learning a musical instrument like the guitar as a marathon rather than a sprint. Another good analogy would be like learning a language. It’s going to take time and practice to become more fluent. There’s no getting around it, so it’s best to set your frame of mind in the right way such that you enjoy the
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. It’s best to set some goals like performing at a friend’s party a song for fun, or playing to your children, or family members.
You’ll need a guitar tuner, probably a change of guitar strings if your guitar was bought at a store, a music stand (optional if you want to sight read comfortably), guitar picks (for strumming or flat picking, at least 1mm thick)
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