Yamaha makes some of the best selling acoustic guitars in the world, and yet, they are the perennial underdog when it comes to brand presence in the marketplace.
In reality, this is no coincidence – Yamaha have been widely regarded for their superlative quality in musical instruments of all types for decades. For the most part, their design is unassuming, and they don’t spend a lot of money on PR like Fender and Gibson. Instead, Yamaha quietly goes about letting the quality of their guitars speak for the brand.
In this Review, we’ve looked at the 7 best Yamaha acoustics on the market today. We’ve covered all price ranges, as well as a number of styles and sizes. When reviewing each model, we focused primarily on tone, as well as build quality and overall playability.
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Our Top Pick winner was the Yamaha FG830. This model is from their popular Folk Guitar series, and is one of the world’s best selling guitars. It offers an incredible blend of price and quality, and is one of the most affordable “working musician” grade acoustics on the market.
Budget conscious shoppers should take a look at our Best Budget winner, the Yamaha Gigmaker Standard. It’s built to the same stringent standards as some of the more expensive models in the lineup, but it forgoes some of the frills to keep costs down.
If you’re looking to get something more special, consider our Editor’s Choice, the Yamaha LL-TA Transacoustic. This is a forward thinking design with an incredible array of electronics, beautiful craftsmanship, and amazing tones.
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This is a wonderful guitar that has been built to a standard, not to a price. It comes with high end tone woods rarely seen on guitars in this price range. It offers great tones, and comes with quality hardware that works with guitarists, not against them.
The Yamaha FG830 had a classic dreadnought body shape and styling, with a handsome faux tortoise pickguard, and even featured a nicely bound body. The rosette had an eye-catching pearloid inlay, and looked absolutely fantastic (read our full FG830 review here).
It was made with a traditional wood selection, with layered rosewood on the back and sides, and a solid spruce top. The 1 piece top was light in color with an attractive grain.
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The neck, like the back and sides, was made from nato. It had a nice, slim profile which we found to be both comfortable, and responsive. The rosewood fretboard felt good under the fingers, and even came with rolled edges. We loved the quality of the fret finish, too. They were well polished, had no sharp edges, and the crowns were nicely leveled.
After spending some time playing the FG830 we were blown away by the fantastic tones. The solid spruce top made it bright, with tons of punch in the mids, and some fantastic shimmer in the upper registers.
This is definitely a giggable and studio ready guitar. It wasn’t well tuned out of the box, but after we made adjustments, tuning stability was rock solid – we played for several hours and didn’t find that we needed to adjust the pitch whatsoever.
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Playability was another strong suit for the Yamaha FG830. The action was nice and low, making it extremely comfortable to play, while also helping to keep the intonation accurate.
Is a solid choice whether you’re a rank beginner, or a working musician on a tighter budget. It offers excellent comfort and playability, and the tones are unmatched in this price range, frankly by any make or model. The construction quality is fantastic, and we’re confident that any player would be happy with this guitar.
As far as budget guitars go, they don’t get much better. It’s as well made as any other Yamaha guitar, it comes with a range of accessories, and it absolutely represents some of the best value you’ll find anywhere on the market.
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The Yamaha Gigmaker Standard might be basic, but it offers a ton of value in the form of great fit and finish, as well as surprisingly good tone and projection for a budget guitar (read our full review here).
The guitar itself that comes in the kit is a Yamaha F325, an entry level, dreadnought style acoustic. The use of laminate spruce on the guitar’s top makes it significantly more durable than a solid top model. The back and sides were made with layered sapele, which is a mahogany substitute.
It had a comfortable nato neck, and because we didn’t find the gloss finish to be sticky, it was relatively fast playing, too. The manufacturer’s specs mention that the fretboard could be either walnut or laurel, our test model had walnut, which we thought looked nice, and performed well.
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The frets weren’t quite as nicely polished as some of the more expensive models, but regardless, there were no sharp edges, and they were good and level, which is still a win considering the price.
During our tone test we found that the F325 provided good volume and projection, and quite a dark, rich tone. Being laminated spruce, it wasn’t quite as tight at the top end, but still sounded great.
Yamaha really does excel when it comes to outfitting their guitars, even the low cost models. The tuning machines turned well with no noticeable play, and they provided some of the best tuning stability we’ve ever seen in this price range.
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We found that overall playability was good – to hold, it felt like any other dreadnought, not exactly ergonomic, but definitely not uncomfortable. It had good action out of the box, too.
Is a gem of a guitar for the budget conscious shopper. It’s the ideal beginner instrument, but also makes a great beach or camping guitar for the more seasoned player looking for something durable, but still with good tone and a full voice.
If you’re looking for a pro level guitar that stands out a bit from the Martin/Taylor/Gibson crowd, it’s hard to go wrong with this Yamaha. It’s a premium model, using high end solid woods throughout, and offers one of the best pickup systems on any acoustic on the market.
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The Yamaha LL-TA Transacoustic is a Yamaha L style electric-acoustic, with a body shape similar to the dreadnought (read our full review). Like most Yamaha models, ornate design elements are eschewed in favor of a clean, contemporary look – the rosette for example featured a gorgeous abalone inlay surrounded by plain tram track lines.
As for the soundboard, it was crafted using a solid Engelmann spruce top with a beautiful vintage tint, and the back and sides were made from solid rosewood. It had a 5 ply rosewood and mahogany neck, which felt great in the hand, and was comfortable and responsive. Continuing the trend of premium wood choices, it was fitted with a stunning ebony fretboard.
We found the fretwork to be pretty much flawless. The edges blended seamlessly into the bound fretboard for a smooth feel, and the crowns were polished to a mirror finish.
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The spruce top had received Yamaha’s ARE (acoustic resonance enhancement) treatment, which gave it a true, worn in vintage tone right out of the box. It gave us exceptional clarity, no matter how we played it – fingerstyle was nuanced and sweet, and heavy strumming was sharp and punchy.
Comfort and playability were also fantastic. The action out of the box was about as good as it gets, too, with no need for adjustment or setup on our part, and tuning stability was fantastic.
It featured built-in chorus and reverb effects that didn’t even require amplification for use. The System 70 pickup system did a great job of amplifying the natural character of the guitar when it was time to plug in, and didn’t color or cloud the tones.
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Is a genuine alternative for players looking at the high end Mexican made Martin or Taylor lineup. It boasts exceptional build quality, with beautiful woods and quality hardware used throughout, and the inclusion of the Transacoustic electronics really sets it apart. It even came with a high quality, well padded gig bag.
This is an understated option that is perfect for the working musician on a budget. Like all Yamaha guitars, it’s well made using quality materials and components, and the concert body style provides great comfort and playability without sacrificing tone.
The Yamaha AC1M is described as having a vintage natural finish, although we’d say it had a bit too much tint to be referred to as natural. Despite the description, we really did love how it looked.
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The top was made with solid Sitka spruce, which is a staple material in the acoustic world. At the back and sides, layered mahogany was the wood of choice. It gave the guitar a very traditional look, and as we know, layered and laminate woods are significantly more durable, and have little effect on tone overall – good news if you plan to gig this guitar.
It was made with a 3 piece mahogany neck that had a slim C type profile. We found it to be comfortable and fast, and paired with the genuine rosewood fretboard, it was an overall
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