If you’re like every other guitar player, you want to know to play pentatonic scales up and down the neck. When we first learn pentatonic scales on guitar, it’s typically done position by position. We learn one pattern, then the next, and so on. There’s nothing wrong with this approach, but if we don’t expand on it we’re bound to feel trapped inside the “box”.
But, there are some methods that can be used to get you out of the box and moving up and down the guitar neck. In this lesson we take a look at a few of the easy ones that can be applied right away to start opening up the fretboard.
When learning the pentatonic patterns, we typically play each position of the scale vertically across the neck from the 6th string to the 1st and back. For instance, in the diagram and tab below we see the first position of the A major pentatonic played vertically.
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However, since the notes for the pentatonic scale span the entire fretboard, we can move this scale horizontally up the neck as well and pass through each position of the scale.
Now we can take the same lick from the vertical example, apply it horizontally and get the following pentatonic run up the neck:
This method isn’t confined to a particular position. It can be applied to any position of the pentatonic and from any starting point in the scale. The very nature of it gets you moving through the pentatonic scales up and down the neck.
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You can also take any of your favorite runs that are contained within a single position and turn them into runs up the neck.
Playing in octaves is probably one of the easiest ways to move between pentatonic positions. It’s as simple as taking the same lick and playing it an octave higher.
These octave shapes traverse the first 3 positions of the A major pentatonic. We can take these shapes and make a lick out of them like the following:
Easy Ways To Play Pentatonic Scales Up And Down The Neck
Another simple idea is to take the same lick in the same position and move it to the second octave (above the 12 fret) on the fretboard.
For example, take a look at the following diagram that outlines the 5th position of the A major pentatonic scale below and above the 12th fret.
It’s a simple concept, but it’s really useful. Not only does it get you moving out of a position on the neck, it also impacts your playing. We don’t play the same way higher up on the neck as we do lower on the neck. So while you’re using the same lick initially, likely you’ll find the way to finish it or accentuate it will be different, particularly if you switch back and forth between the two positions.
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If you’ve read the lessons on using root notes to navigate the major and minor scales, you know that the root note can be used as a reference point for scale patterns. This allows you to use the root note to move between scale positions.
This lick is based mainly in the 1st position of the scale and grabs the major 3rd from position 2 before ending on the root on the fifth fret of the 1st string.
But, we can target the root note in a different position to allow us to move out of the 1st position box.
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So instead of landing on the root note at the 5th fret of the first string, we can end the lick on the root note at the 14th fret of the 3rd string, putting us in position four.
Both licks contain the same notes, but the second lick requires a position shift up the neck, getting you out of the pentatonic box of the 1st position.
While the root note is an obvious target note, the same method can be applied to any note of the scale. In general, this method typically works well with any chord tones, so the music you’re playing over will influence which notes to target.
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In this lesson you learned three easy ways to play pentatonic scales up and down the neck. The examples given were simple, but the concepts can be greatly expanded upon and adapted to any lick or run.Put down the air guitar and pick up the real thing. Here are a few simple things that will help you learn
I was put off learning an instrument when I was 11. An unhelpful music teacher asked everyone in the class to step forward and sing three notes, relegating anyone who wasn't good enough (including me) to the back of the class to work on their homework. There we remained for the rest of the year, while the other students enjoyed actual music lessons. For many years, I dreamed of learning the guitar, but never thought it would be possible for a non-musical person like me.
But by my early 30s the longing hadn't gone away, and I finally decided to go for it. I went out and bought myself the shiniest guitar I could find, and started to learn. Of course, I was rubbish – at first. But, 13 years later, I'm getting better, and most importantly I'm still enjoying it.
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One benefit of taking it up when you're older is that you feel more committed. As Tim Walker, guitar professor at the Royal Academy of Music, says: Starting later means you understand the importance of patience and perseverance, and to stick at it as a result.
Of course there are a few simple things you can do to make the learning process easier and more enjoyable. Here's my advice.
Everyone will (rightly) say it's about the music and not the machine, but I don't think there's anything wrong with fetishising your guitar – lots of musicians do. Plus, once you've spent that money, it's a great catalyst to work at it. Research online, but also go to your local music shop and test some out. Choose one that feels comfortable to hold, and make sure it is the right size for your hands. If you're wary of spending money, borrow one from a friend before taking the plunge. Don't be tempted by cheap guitars in charity shops, and don't get one from eBay – you should only ever buy a guitar you have played. Learn how to tune it properly, either using a chromatic tuner (available in all good music shops), an online tuning site such as fender.com, or a tuning app – Gibson Learn & Master is a good one.
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I've had two teachers over the years, both of whom became friends and mentors. They were good because they didn't come with a template for my lessons, but instead listened to what I wanted to do and tailored my lessons to the music I liked (acoustic finger-picking blues in the style of Mississippi John Hurt).
Walker says: This will be someone who understands what it is you want to do, who is demanding to a certain degree but also wants you to enjoy fulfilling your potential. As an adult student you should know yourself well enough to feel confident about which direction you'd like to go in. The Registry of Guitar Teachers (www.rgt.org) is a good place to start.
There is a difference between playing and practising. When you just play, you fall back into familiar grooves and rarely push yourself. Practice takes you to the next level, and even if you only do 10 minutes a day of challenging exercises, the benefits can be profound.
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I tend to play for up to an hour each day. Half of my time will be spent on exercises – scales, working at a specific section of a new tune – and half revising pieces I already know and don't want to forget. I aim to learn a single song by heart roughly every month, and make myself work through that one song all the way to the end.
You can practise for less time if it's done mindfully, says Walker. Half an hour of concentrated work will be much more productive than two hours of haphazard playing.
When you start out, decide on what your goal is. Do you want to play in public? Write your own songs? Learn a particularly difficult piece of music? Once you know what you want, you can set yourself challenges and gear your lessons towards achieving your aims.
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I have no ambition to play in front of people, form a band or even take exams. My aim is simply to practise every day. It's not always easy, but I've stuck to it.Learn The Best Way To Practice Playing The Guitar Standing Up This Is What Goes Wrong When You Try To Play The Guitar Standing Up
When trying to become a better guitarist, there are a numberous things that can ruin your development. One of these is the problem that often happens when trying to grow in your guitar playing from bedroom guitarist to playing more interactively with others. You’ve worked so hard to play blues guitar and you finally feel that you’re ready to give a little
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