If you have a sequence of chords to go through, the only thing you should be concerned about is whether the chord is major or minor and then apply the corresponding pentatonic to it starting from its fundamental. In this way the pentatonic serves as a wildcard scale. We will always have 5 possible notes to play (plus their multiples in different octaves and the passing notes). If you have a chord for a very long passage I recommend that you deepen in applying the pentatonic in the whole neck.
You can use the pentatonic on a chord not only from its fundamental, but also from other points. This will give a special sonority to the chord.
In minor chords, try to use the minor pentatonic from the 5th or the minor pentatonic from the major 2nd. That is, if you have a Dm, apart from the D minor pentatonic, you can use the A minor pentatonic and the E minor pentatonic.
A Minor Pentatonic Scale For Bass Guitar
In Maj7 chords, try playing the major pentatonic of its 5th. For example, in a CMaj7, apart from the C major pentatonic, you can use the G major pentatonic. This way with the pentatonic you will be adding the color of the major seventh, which does not happen if you use the pentatonic from the fundamental of the chord.
In seventh chords you can use the minor pentatonic from the 5th. For example, on a G7 try playing the D minor pentatonic.
The blues is a case apart. Although blues chords are major chords (seventh chords such as C7, G7 or A7) the blues sonority is based on what happens when you play a minor pentatonic on top of these chords. This contradiction is what makes the blues sound so special.
F Pentatonic Scale Charts For Guitar And Bass 🎸
The trick I recommend to improvise on a 12 bar blues is: use the minor pentatonic of the I degree in the first 8 bars, the minor pentatonic of the V in the 9th bar and the minor pentatonic of the I again in bars 10, 11 and 12. To accompany a blues I do not recommend you to use this same trick if you do not want your colleagues to look at you badly, better tune yourself in the corresponding blues pattern.
Those who control a little more and know the concet of tonality, will know that a tonality has 7 diatonic chords on which the vast majority of themes that we consider “commercial” are based.
Something extremely useful that we can do with the pentatonic when we know the key of the theme is to place the fundamental of the pentatonic in the fundamental of the key. If the key is major we will apply the major pentatonic and if it is minor we will apply the minor pentatonic. It will be very useful to apply any of the schemes shown in the article in the previous issue of the magazine but I especially recommend the ones that go all the way around the neck. This pentatonic located in the fundamental of the key, we can call it the main pentatonic of the theme and we can always use it whatever the chord you are in.
Using The Pentatonic Scales For Great Basslines
The method to use this concept when you are playing bass accompanist, is to play the root of the chord you are in (to define the chord) and then whenever you want to put some filler notes, make them notes of the main pentatonic of the theme.
When you play over the first chord G play the root note G and improvise a fill with the major pentatonic of G. When you are over the chord Bm play the root note B and improvise a fill with the major pentatonic of G. When you are over the chord C play the root note C and improvise again a fill with the major pentatonic of G and when you are over the chord D play the root note D and improvise again a fill with the major pentatonic of G.
It’s a very easy way to think while playing since you only have to worry about where the tonics of the chords are, the rest you get everything from a single scale. This way your bass line gains in cohesion and coherence and the choice of notes will always be harmonically correct.
Pentatonic Scale For Bass Players
This same principle can be used when you are soloing over a chord progression, but with the advantage that you don’t have to go through the tonic of the chords. If we take the above progression as an example, you only need to improvise on the G major pentatonic to get a great bass solo.
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Bass Player's Guide To Pentatonics
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Pentatonic Scale Für Bassisten
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Breaking Down The Pentatonic Scale: The Five Positions On Bass
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Amazon.com: Bass Scales And Modes Chart Poster Of Pentatonic Scales
Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.Below are each of the bass guitar major pentatonic notes – fretboard diagrams. These are the major pentatonic scales for each of the 12 notes in the musical alphabet – A, Bb, B, C, Db, D, Eb, E, F, F#, G, Ab. The diagrams display all notes for each major pentatonic scale across the fretboard through the 12th fret.
Bb Major Notes – We use Bb major instead of A# sharp major because a scale cannot theoretically have the same note letter twice in the same scale. The full A# major scale would have the notes – A#, C, D, D#, F, G, A –> it has two “A’s” and two “D’s” which breaks the theory rules (double sharps).
Db Major Notes – I provide the Db Major Scale instead of C# Major for this reason – The full C# Major scale includes these notes – C#, D#, E#, F#, G#, A#, B#. As such B# is the same note as C, E# is the same as F. So it’s better to learn the scales using the natural notes. It’s not good practice to learn B# instead of C, and E# instead of F.
Bass For Beginners Major And Minor Pentatonic Scales
Eb Major Notes – We use Eb major instead of D# sharp major because a scale cannot theoretically have the same note letter twice in the same scale. The full D# major scale would have the notes – D#, F, G, G#, A, C, D –> it has two “D’s” and two “G’s” which breaks the theory rules (double sharps).
Ab Major Notes – We use Ab major instead of G# sharp major because a scale cannot theoretically have the same note letter twice in the same scale. The full G# major scale would have the notes – G#, A#, C, C#, D#, F, G –> it has two “G’s” and two “C’s” which breaks the theory rules (double sharps).The pentatonic scale is a five-note subset of the major scale that is often heard in the bass-line of rock, jazz, and blues songs.
The scale can broken down into five overlapping “box patterns” — each containing all of the notes
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