Acoustic guitar pedals are often overlooked in comparison to their electric guitar equivalents. Over the years I’ve tested dozens of them, and in this article, I’ll be sharing my favorites at each price point.
The list is broken down into effects categories, and there are options to suit all playing styles and budgets. Let’s get started and take a look at the best acoustic guitar pedals on the market right now!
My Review: Boasting an incredibly extensive range of stompboxes, iconic guitar pedal manufacturers BOSS has been setting the standard for decades. Many of their pedals are built upon the success of their early models, but one thing’s for sure, BOSS is always looking for ways to improve their effects.
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In my experience, WAZA Craft chorus pedals are perfectly suited for the natural timbre of an acoustic guitar. I was pleased to find that by recreating the classic sound of its predecessors, the CE-1 and the CE-2, the CE-2W houses several new features which propel it to new sonic heights.
Right after plugging my acoustic guitar into the WAZA Craft, I was able to choose between the standard CE-2 chorus sound or the vintage tones of the original model. There’s also a switch for engaging the smooth vibrato effects that are also housed within this analog acoustic guitar pedal.
The CE-2W sounds fantastic when used with either electric or acoustic guitar. Chorus is one of the least invasives of modulation effects, and therefore I was still able to allow the natural sound of the acoustic guitar to be prominent in the mix while adding coloration and character using the onboard parameters on this premium BOSS stompbox.
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If I had to choose a particular feature of the CE-2W Waza Craft which sets it apart from other similar pedals, I’d find that very difficult! There’s simply so much to cover with this BOSS pedal. I really liked how they improved the range of sounds it houses, offering several presets that aren’t available with the original version. The two stereo sound modes and variable depth control have improved the functionality of the Waza Craft significantly.
Who is this best suited for: Chorus pedals go hand in hand with an acoustic guitar. Regardless of your playing style, or the main genres that your music falls into, you’ll benefit from the array of sweet-sounding overtones that the WAZA Craft pedal brings to the table. It’s especially useful for those who enjoy composing lo-fi hip-hop-style guitar riffs and licks.
Bottom Line: BOSS design their pedals meticulously, drawing from the decades of experience they have in the field of effects. The WAZA Craft CE-2W benefits from the knowledge gained as a result of its two predecessor pedals. With newly added options and improved overall sound, the WAZA Craft is a great addition for any acoustic guitarist.
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My Review: We set out to find an affordable chorus pedal to use with an acoustic guitar, and found the Wet Dreams by Deadbeat Sound to be highly recommendable. I particularly liked that this analog chorus pedal is designed in a minimalistic fashion, with three rotary controls installed across the top half and a classic footswitch on the bottom.
Based on our findings, the main reason that this pedal works so well with acoustic guitar is its ability to deliver a clean-sounding chorus that interacts smoothly with the high-end harmonics and the rich low-end of the instrument. The three parameters, which consist of depth, speed, and level, provide guitarists with the platform to sculpt the chorus tone to suit any style of acoustic guitar playing.
I was impressed with the fact that by adjusting the depth control, I could affect the overall tone of the chorus. When this is turned up, the pedal produces a fluctuating, hectic warble with noticeable detuning in places. Alternatively, I found that by keeping that setting low I could enjoy subtle modulating overtones. The speed control affects the pace of the fluctuations, and again can be used in an understated manner or for more extreme results.
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By installing true bypass switching, Deadbeat Sound has ensured that the acoustic guitar’s clean tone won’t be compromised when the Wet Dreams chorus pedal is inactive. I liked the fact that this pedal also comes with a power supply, which provides 9 volts DC. You can also use a single 9-volt battery to power the pedal if you wish.
The standout qualities of the Wet Dreams acoustic guitar chorus pedal are as follows: firstly, it’s incredibly affordable for the high standard of tones it produces. Secondly, the simplistic design may make the pedal’s capabilities seem limited, by I found that there’s plenty of room for sculpting original tones using the three-knob layout. The true bypass switching is great, but if there’s one thing I found this pedal to be lacking, it’s an additional output for signal-splitting.
Who is this best suited for: If a chorus pedal is at the top of your wish list but you’d rather save a little money to purchase other acoustic guitar effects too, the Wet Dream by Deadbeat Sound is a great option. In terms of quality, it rivals the more expensive chorus pedals on the market, providing a wide range of modulated tones to add to your sonic arsenal.
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Bottom Line: Deadbeat Sound is a relatively newly established manufacturer of effects pedals, which makes their rise to prominence impressive. This chorus pedal is one of their finest offerings, and it sounds equally as great when used with an acoustic guitar as it does when used with an electric model. The three controls give you complete freedom over the nature of the effect, and allow you to sculpt the chorus to suit your requirements.
My Review: Before analyzing this device we were aware that the Align series by L.R Baggs includes some of the finest pedals specifically designed for acoustic guitar. As we expected, this particular reverb offering produces a plethora of stunning textures to soften the tone of your instrument.
Designed to complement the natural dynamics and warm tone of acoustic instruments, the Align Reverb pedal features sophisticated analog circuitry which combines the wet and dry signal intuitively. Right off the bat, we were impressed with the way this results in a luscious blend of natural acoustic tone, and space-enhancing reverbs.
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L.R Baggs shaped this reverb pedal with analog EQ. This allowed them to reflect the natural reverbs that are produced when sound waves from the strings come into contact with the tonewoods of an acoustic guitar. The tone control allows guitarists to adjust the color of the reverb to suit the specifics of our instrument.
First impressions are everything when it comes to acoustic guitar pedals. The Reverb from the Align series instantly stands out amongst the crowd. I liked how the manufacturer used their experience from the other pedals in the series to enhance the functionality and performance of the Reverb edition. Like all L.R Baggs pedals, I found it to sound incredibly natural and organic, compared to other pedals that sound more artificial and processed.
Who is this best suited for: If reverb is at the top of your acoustic guitar pedal wishlist, you won’t find it much better than the Align by L.R Baggs. Part of their revered acoustic-focused series, this reverb pedal is compatible with all styles of playing.
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Bottom Line: The Align Reverb by L.R Baggs is a wonderful pedal to use with an acoustic guitar. It was designed to interact fluidly with the natural properties of an acoustic instrument and includes high-quality, analog circuitry. It’s also surprisingly versatile and can be used to create a wide range of reverberating tones.
My Review: When I first encounter Wonderland by Caline, I noticed that it is described by the manufacturer as being an “ambient reverb machine”. I was impressed to discover that this is a statement that is backed up by its impact on an acoustic guitar’s tone. With a trio of rotary controls which are labeled mix, decay, and shimmer, it soon became clear that there’s plenty of space for adjustment.
The Wonderland has an eccentric design and an equally interesting sound. I found its functionality to be unique because it can be used to add shimmer to the acoustic guitar or to create washes of texture with practically limitless decay. One of the first things that stood out is how perfect this product is for experimental ambient styles of playing.
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Some other features which caught my eye are the chassis of this Caline reverb pedal, which is made from durable aluminum alloy, and the fact that it also boasts true bypass switching. Furthermore, I liked the addition of the small LED indicator installed at the very top of the pedal which signifies clearly when the pedal is on or off.
As a fan of prog rock and shoegaze, I found the shimmering modulated reverb of the Wonderland pedal to be unique and intriguing. Compared to other acoustic guitar reverb pedals, this product focuses on textural and ambient tones, and I loved the fact you can use it to mess with the listener’s mind! As far as psychedelic reverb pedals go, this is
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