If you've spent a good deal of hard earned on your acoustic-electric, a cheap acoustic amp is probably all you can afford (which is, I presume, why you're here!).
Acoustic guitar amps, more so than electrics, should be transparent enough to feed through the full tonal character of your instrument and provide enough volume for live shows and gatherings. They should also include useful performance features such as additional inputs (e.g. for a microphone).
That's what we've looked for, and that's we've found with the below budget picks, supported by strong user reviews and comments. Let's take a look...
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Starting with the cheapest on the left, we've picked from two main categories - low wattage (for the studio and solo performance) and higher wattage (for larger venues and playing with a band). Select the product name in the table to jump to the review and video demos...
It benefits from two channels (one mic, one instrument), each with independent volume controls. As well as a standard 3-band EQ on the instrument channel, there's the added bonus of a chorus effect to give your instrument tone some shimmering saturation.
The crisp Fender clarity people have come to expect from their electric amps is also present in the Acoustasonic, thanks to the whizzer coned speaker. It's only a 6 speaker, but for those non-intimidating, quieter gigs and home practice/recording, you'll have enough output to be heard.
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There's certainly more emphasis on the treble, sacrificing the low-end somewhat, so if you're acoustic is already bright sounding you'll need to give the pickup and amp EQ some attention to balance things out. However, if you're looking for more mid-high range clarity then the A15 will deliver that.
Slightly beefier output than the Fender due to its 8 inch, dual cone speaker. Two independent volumes control the mic/instrument channels and there's an additional auxiliary input for connecting your music device.
There's also a touch more bottom-end in the AT108 and overall more volume for slightly larger venues. So it seems the 15 watts have been used more economically than other practice sized amps in its price range.
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Like the Fender, it's lightweight enough for even a child to carry, so you won't break your back negotiating stairs and it won't hog your trunk space.
What it lacks is chorus, reverb or any other on board effect. So this is a basic amp more suited to those who want a purer acoustic sound, or those who have their own external effects units.
Naturally, with a larger amp comes more features, such as independent EQ's for both footswitchable channels and even independent effects, which is unusual for an amp this price. So you can apply different effects to each instrument you plug in, or just keep them on for one channel.
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Running through the on board effects on each channel, we have a decent selection: vibratone, chorus, delay, reverb and combinations such as reverb + delay and reverb + chorus.
On the front you'll also notice a feedback elimination button, again one for each channel - useful for those volume cranked gigs when using an acoustic or hollow body instrument can cause serious feedback issues.
Compared to it's 15 watt baby, the 90 delivers a much richer sound that will fill out larger venues nicely, ensuring you can play with a band as well as solo. Surprisingly, the 90 watts only drive an 8 speaker (same size as the Behringer 15 watt), but users haven't had any issues with volume or presence when performing.
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If you've previously been running your electro-acoustic through an electric guitar amp or PA system, you'll instantly hear a huge difference through the Acoustasonic and your acoustic performance will be given the presence and articulation it deserves.Even with its diminutive size, Fender was still able to outfit the amp with 2-channels, one for mic, and the other for acoustic-electric guitar. This makes the Acoustasonic 15 viable as a low-wattage portable PA system, ideal for students who want to play acoustic guitar and sing at the same time.
Vocal Channel 1 sports an XLR input jack for mic, and a dedicated volume knob. Channel 2 has a 1/4 input for instrument, with volume and 3-band EQ that includes bass, middle, and treble control knobs. The 3-band EQ allows for basic tone shaping, which is important when dealing with acoustic instruments. Channel 2 also comes with a chorus knob, which is an interesting choice, given that most amp manufacturers usually go for reverb.
Given its 6 woofer and traditional cabinet design, don't expect much low-end, but it does a good job of reproducing the highs and mids. The resulting sound is clean with some emphasis on the mid-treble.
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For a 15W amp, it has good volume for small rooms, but it works best when set to lower volumes for practice. Acoustic amps at this wattage also sound more pleasing at these volumes. With its limited projection and power rating, this is not a stage amp. But thanks to these limitations, the amp is portable and lightweight - it would've been nice if it could run on batteries.
Interestingly, the amp comes equipped with a 1/4 headphones out, which is quite awkward because acoustic guitars will still be loud even when you're using headphones.
The Fender Acoustasonic 15 is one of the best acoustic guitar amps. It is a great budget friendly amplifier for acoustic guitar, backed by an established guitar brand. It is highly recommended at this price point.
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The Fishman Loudbox Mini BT adds Bluetooth wireless connectivity to its already successful predecessor, while carrying over the same balance of power, tone, and portability. This means that you get the benefit of modern wireless audio streaming on an amp that you can use with your acoustic-electric guitar.
Weighing in at 21 lbs., it sports 2-channels, one of which allows for plugging in microphones. It has a 6.5 LF woofer, and a 1.1HF tweeter, both of which work together to give this amp extended frequency range. The tweeters allow the amp to reproduce the crisp attack of acoustic guitars, resulting in a more natural sound. Given the small woofers, bass doesn't go deep, but it has enough for acoustic-electric guitar use.
True to its name, this 60W amp can go loud, enough to cover small venue gigs. It can also be a great amp for practice and group rehearsals. The extra power and the tweeter make this a good mic amp as well. And when you consider the addition of Bluetooth connectivity, this acoustic amp can become a capable mini-PA system and all-around multimedia wireless speaker. In this day and age, wireless connectivity has become more of a necessity than a luxury feature.
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Note that while the amp has quite the headroom, the small speaker it has means that you're not supposed to drive the two channels too hard. On the other hand, this smaller speaker ups its portability. Other features include built-in chorus and reverb, and it has an XLR DI output for recording or for plugging into a PA system.
Like most acoustic guitar amps, it has 2 channels, but the extra channel is no longer just an afterthought, both channels have the same input, controls, and features. Each channel has a dedicated Combo XLR input, for plugging in a microphone or an instrument. And the two channels have dedicated controls which include phase shift, 3-band EQ, FX selector, and FX level. The FX selector in particular offers a lot more effects than you'd expect from an acoustic amp, covering reverb, delay, chorus, vibratone, and combinations. This means that you can apply different EQ and effects to each channel, which makes the amp great for using two different sound sources, be it a mic and guitar or two different instruments. It can even be good for blending two different pickups from one guitar.
Another interesting feature of this amp is its 8 Whizzer cone. It is basically a tweeter that's built into the woofer, providing increased high frequency response, much like a tweeter, but without taking as much space. As such, it behaves much like a full range speaker system, with more treble definition than conventional woofer only combo amps. This whizzer cone helps give the amp a more natural sound, especially in the highs. The downside to this is that it could be too trebly, for those who prefer warm bassy tones.
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Rated at 100 Watts, this amp can go loud, but with its small 8 woofer - it's not meant to be cranked hard. It also makes sense that you don't max out the headroom since acoustic guitar amps are designed to provide clean tone.
All these nice features are packed inside a stylish looking combo cabinet that gives it a premium furniture vibe. It also makes it stand out from other acoustic guitar amps in the market. Compared to traditional combo amps, the Fender Acoustic 100 design and aesthetics are well thought out, controls are cleverly hidden from the audience but accessible to the musician, and it comes complete with an integrated handle.
Contrasting its classic furniture appeal, it features modern enhancements which include Bluetooth connectivity and USB output for
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