Cubase 5 Guitar

Cubase 5 Guitar

Hallo, es ist mir fast schon etwas peinlich zu fragen obwohl ich doch relativ lange musik mache und meine google skills mich im stich lassen...

Ich krieg ums verrecken Guitar Rig 5 in Cubase 5 nicht rein. Dll. hin und her kopiert wie ein wahnsinniger, neu installiert, verschiedene Lademöglichkeiten von Cubase ausprobiert doch es geht einfach nicht.

Setting

Battery 3 wollte erst auch nicht in Cubase 5 gefunden werden, als ich die .dll in den vst Ordner kopiert hab gings. Normalerweise mach ich das immer so mit anderen VST Plugins ausm Netz die nur die .dll haben.

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Hab die dll. Datei im VST Plugin Ordner von Cubase installiert und mehrmals in PlugIn Information aktualisiert, aber nichts geschieht bei den Effekten...

Du must da nix installieren, sag cubase, das er auch da wo NI die Sachen speichert, mal nach 2.4 VSTs suchen soll

Entweder man installiert ein Plugin in den vorgegebenen Standard-Ordner (würde ich persönlich nicht machen, da der auf C: liegt und ich es übersichtlich mag) oder man legt sich, zumindest für VST2.x-Plugins, einen speziellen Ordner an (würde ich so machen, weil ich es übersichtlich mag und es Vorteile beim System-Backup bietet).

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Und ja, man kann beliebig viele Ziel-Ordner in denen Cubase nach Plugins sucht definieren ( wohl für die Leute die bei der Installation schlampig vorgehen und wild irgendwo hin installieren).

Wenn das alles nicht funktionert, dann hat man etwas falsch gemacht, manchmal liegt es wohl auch daran, dass Leute gecrackte Sachen benutzen. Im ersten Fall ist wäre die naheliegendste Lösung für mich, nochmal von vorne anzufangen und es ordentlich zu machen

Eigentlich ist das eine absolut sichere Sache, man muss eben nur ein bisschen bedacht vorgehen. Mehr kann ich dazu nicht sagen, weil ich in all den Jahren noch nie solche Probleme hatte und soclhe Probleme deswegen nicht wirklich nachvollziehen kann.

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Ich habe selbiges Problem und wäre für Lösungen dankbar. In SE gibt es - so wie ich das sehe - nur 1 Ordner, den man für Plugins angeben kann. Ich habe die Demo-Version von GuitarRig installiert und die DLL in den Plugin-Ordner kopiert.

Akustik- / E-Gitarren-Forum 𝄢 Bass-Forum Schlagzeug-Forum Tasteninstrumente-Forum Vocals-Forum Unser weiteres Online-Angebot: Bassic.de · Deejayforum.de · Sequencer.de · Clavio.de · Guitarworld.de · Recording.deNative Instruments’ Guitar Rig is a well-known plugin for amp emulation, modeling and effects, and has tons of presets. If you find yourself without a distortion pedal or processor for your guitar, just fire up Guitar Rig. In this tutorial I'll show you how.

Let’s assume you're using Guitar Rig for playing live, and you need to set up the guitar for distortion and effects. You can use Cubase as the input and output for the guitars, and your laptop as an effects pedal or processor.

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Change the order of the plugins by dragging the number beside the placeholder, and moving it to the required area. Now select Guitar Rig from the drop-down list and load it up.

When would you set up Guitar Rig as a send rather than an insert? When many of your tracks use the same settings. It’s preferable to use sends or a group effects channel in this case, otherwise the performance of the project will be affected, and you'll use more of your CPU.

Recording

An insert can designate a maximum of eight effects, while sends can link to eight FX Channels which can contain many more effects. So by using a send as an FX Channel, you can set up many tracks to the same effect without affecting the CPU.

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Here you can adjust the amount of effect that you need by adjusting Send level. Adjust it to your liking, and start experimenting.

The Guitar Rig Interface is simple but powerful. You can select the presets that you want, or manually add each element to build up to your required sound.

Select a preset to see the number of cabinets or the effects and settings that are used for that preset. Almost all the settings of these components can be easily tweaked to suit your needs. You can add different components to the rack by double-clicking on them, or by dragging and dropping them onto the rack.

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Here you can also add the post- or pre-tape decks, which allow you to record your guitar directly into Guitar Rig. The settings for the tuner and metronome are also here, as well as the ability to adjust he visibility of the master volume and master effects.

You also have the option to remove all the items from the rack, or expand and collapse the settings of the components in the rack. Experiment with different settings, and you'll be amazed by the capacity of Guitar Rig.

Guitar

Guitar Rig is a really useful plugin that a guitarist must have in his backpack. It will save you time on setting up your physical FX pedals and cabinets. You just have to open Guitar Rig, load your favorite presets, and start rocking out on your guitar.

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You'll be saved from a lot of trouble and tension when setting up your guitars for a session or a live show. And you can tweak all the settings live by using the Rig Kontrol hardware.

How do you feel about Guitar Rig? Do you think it's easier than using physical modelers and effects? Let us know in the comments.

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Cubase Tutorial: Recording Instruments Part One

Sudhin Venu is a freelance ian who is also the author of the site www.chordzone.org, which teaches the chords of songs and how to play them on guitar and the piano.With Apple including their Guitar Amp Pro plug‑in in Logic, Sonar coming bundled with Native Instruments' Guitar Rig, and Ableton adding their new Overdrive plug‑in to Live, guitar‑slinging Cubase 5 users might initially feel a bit left out. But you don't have to, because you can assemble some pretty amazing 'guitar racks' in Cubase: it's just that Cubase takes a more à la carte approach, where you need to draw on the existing effects as if they were stomp-boxes. A VST audio channel in Cubase offers inserts for up to eight series effects, including an amp simulator, so you actually have more options than with many pedalboard setups. Furthermore, you can add some quality 'studio effects', like the new Reverence reverb, as send effects. So think of Cubase as 'virtualising' a pedalboard, then bringing it into the studio so that its output can go to studio rack processors.

When you have a setup that you like, you can easily save it as a track preset — or, better still, create multiple track presets for different types of sounds. Cubase can even make a fine host for live performance, should you decide to trade your rack of effects for a svelte laptop that patches directly into the PA system, as you can switch instantly between racks. (I'll cover how to do this at the end of the article.)

Stereo

Before I get started, one quick note of caution. Because you need to play 'through' Cubase in order to hear the effects, you'll need a low-latency system — which means a fast computer, and a good audio interface, with quality ASIO or Core Audio drivers. Even if an interface has a 'zero‑latency' monitoring feature, that won't do you any good, as it will simply route the input signal to the output, without going through Cubase or any of its plug‑ins, which kind of defeats the purpose… Preferably, you should also have an interface with a high‑impedance input (suitable for guitar and bass). Many modern interfaces have an 'instrument input' which will do the job, but if not, you'll need to use a guitar‑friendly preamp, compressor, or similarly 'neutral' effect to feed a line input (or use a DI box).

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With this in mind, here's how to create a virtual 'pedalboard' in Cubase. Feel free to substitute your own choice of effects, but I've found this to be a good starting point.

• Cubase includes a chromatic tuner, and the first slot is the best place for it, so that you can keep your axe in tune without bypassing other effects. Click in the first insert field, and in the plug‑in list choose Other/Tuner to load an instance of it here.

• I like to insert a compressor after this, to add some sustain and even out the guitar's dynamics, for a more consistent distortion sound. So for the second insert slot, choose Dynamics/Vintage Compressor, then click on the insert's Edit button to see the compressor's interface, and set up the parameter values as desired. A good starting point would be Input at 17 and Attack at 8.9, with Punch and Auto set to On. You'll probably need to adjust the Input (effectively the Threshold in this case) according to the level of signal coming into the plug‑in. Set the Output to a level that's as high as possible, but doesn't approach clipping.

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• Similarly, insert the Soft Clipper into the third insert slot and click on its Edit button. For settings, try putting the Input at ‑0.0, Mix at 55, 0.0, Second at 100, and Third at 57. As with the Compressor, set the output to a high level, again stopping short of distortion. These settings are intended to

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