Casper of Silver Tiger Media recently conducted an interview with former GUNS N' ROSES and current SIXX: A.M. guitarist DJ Ashba. You can now listen to the chat using the audio player below.
Speaking about he approaches soloing, Ashba said: I've always looked at guitar playing as an extension of the story telling. Basically, it's where the vocalist hands you the song, and it's your job, your duty, to write the perfect solo for that song. I've never looked at guitar solos as, 'Okay, it's my turn to show off.' That's the worst mistake I think guitar players make. I take the song from the singer and I try to take the audience on a journey and bring them right back and hand it back off to the singer. And that's how I look at it when I write solos: I try to write the perfect solo for that song.
He continued: I'm from the mindstate where I'm all about melody — I want people to walk away singing the solos. And that would mean more to me than, 'Wow, he's really fast on guitar.' That doesn't mean anything to me. You can play a million miles an hour and it's gonna go over everybody's head in the audience. But you hit one note with everything in your heart, and you're gonna turn every head in the room, and I've always believed that.
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Ashba also talked about the differences between playing material that he had a hand in writing and performing songs that were composed by someone else. He said: I'm not a schooled player. In fact, I played in GUNS N' ROSES for seven years, [and it was a challenge playing other] people's songs. I do my best, but I have such a distinct style, and it's hard for me to actually play other people's songs; I actually have to work at it, whereas SIXX: A.M. is my style. It's what [come out of me naturally]; I don't even have to think about what I'm playing, it's just… I feel it. And I can't explain it. Along the way, many people have wanted me to teach 'em how to play guitar, and I can't teach you, because I'm not a teacher.
Ashba, who joined GUNS N' ROSES in March 2009 following the departure of Robin Finck, issued a statement in July 2015 saying that he was leaving the band. His statement read in part: It is with a very heavy heart and yet great pride that I announce that I've decided to close this chapter of my life and encapsulate the wonderful times that I've shared with GUNS N' ROSES into fond memories. I have reached a point in my life where I feel its time to dedicate myself to my band SIXX: A.M., my adoring wife and family, and to the many new adventures that the future holds for me.
Ashba said earlier in his statement that working with GUNS N' ROSES was the most incredible journey I could have possibly imagined.
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There are a number of solo musicians that have discovered that by offering a dual entertainment package, they don’t have to share the budget with the DJ . I n fact , now they can charge more ! They perform as a solo musician in the beginning of the evening and then take the wheel as the DJ for the latter part of the night. This scenario has become a growing trend among musicians for obvious reasons!
You know from experience, that as the night continues, the party kicks in. Then the requests for a plethora of favourite dance tracks take over , and if you’re on your own, this can be hard to pull off. Plenty of musicians have stories of when the party escalates, the demanding dancers can get pushy when they want “their” song . Sometimes aggression can even be focused on the musicians because they are not playing what the crowd wants.
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People have different tastes in music and it can be difficult for the musician to know all of these songs. To have all popular tracks in their repertoire requires many months of rehearsal, organising charts and lyrics and it can be impossible to achieve.
To retaliate in the demanding marketplace for live entertainment and also to hold on to what they love, many solo and duo musos are now providing a different scenario. They play a couple of sets of live music with vocals and instruments and then later, change hats and become the DJ, playing popular dance tracks and requests to keep the punters happy.
Many musos have been doing this using iTunes or Spotify from their smart phone or tablet . This way t hey can access the requests thrown at them in the heat of the night. Many of them have also purchased DJ decks so that they can mix it up and also look the part , bringing with them simple light rigs to add to the atmosphere.
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We talked to Michael about being a solo musician and adding “DJ” to his promo to offer more as a solo performer.
Michael Vos has been a full time musician for thirteen years with regular spots at the Star Casino but he has since found his niche in the wedding industry! Michael is now four times winner of the “Brides Choice Award” and two times winner of the ABIA (Australian Bridal Industry Academy) award! Last year, in amongst his normal gigs, he still managed to squeeze in 127 weddings!
Michael, you’ve obviously become very successful at what you do. Tell us, what are the things you found difficult when doing weddings and events?
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I love playing live music , but o ne of the biggest things that I found was by the end of the gig , when everyone’s hitting party mode and they’ve had a few drinks, you can’t keep up with th em . You’re on your own, a solo musician just playing guitar and singing and I found that I had to start DJing . I had to play dance and party tracks to get the dance floor pumping.
In the start, what I ended up doing was have my iPad set up and when I had finished my last live song, I’d have some tracks ready on an app on the iPad and I’d let that play. But then as time went by, people would come up requesting songs, and you’d be expected to lead the dancefloor as a DJ. I just couldn’t do that from an iPad and I discovered that I needed more. To be able to DJ properly, I needed the gear to pull it off. I had to figure out what I was going to do and how I was going to do it.
Then I had to figure out how to handle the transition from muso to DJ at the gig, having a guitar and mic and DJ gear plugged in as well. This started to become a little bit of a mess for me, so that’s when I really had to start figuring out what I could use that would work better.
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It’s a musician’s worst nightmare, having leads everywhere, stuff on the floor looking untidy at the event, especially when they have gone to the trouble of making the venue look amazing! So now, my journey has been about making things simple, tidy and compact. I want less gear, but need more options, and to be able to have something where I can have everything plugged in to one main hub that covers all performance options for me.
Roland actually asked me to check out the DJ-707M and to be honest I wasn’t sure if I would like it
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