Hey, this is Matias Rengel with Guitar Control, today you’ll be learning “Five Beginner Funk Rhythms” that are going to take you completely into the world of funk guitar.
The first rhythm that we’re going to learn is super easy, we’re going to grab a D major 7, index on the 2nd fret of the 3rd string bring on the 3rd fret of the 2nd string and middle finger on the 2nd fret on the 1st string.
What am I doing here am picking four times the D major and I keep my hand moving constantly. You got to remember the actual rhythm like singing. After hitting it four times I remove the pressure and then after I hit it again and again I remove the pressure. Now we’re going into a G and alternative of is a g major which is going to be a G and then you’re going to A major.
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For this 4th fret of the 3rd string and your index finger on the 3rd fret of a 2nd and 1st string down. The chords are not super important right now but I’m going to show you anyway, the 1st chord index on the 5th fret of the 3rd, 2nd, 1st string, you do this and every time after you hear it you remove the pressure and at the end you’re going to hit a mid-string on the new chord in the new column the new chord is going to be the 5th fret of the 4th string, 3rd fret of the 2nd string and then go into the 5th fret of the 1st string and then bring this chord to 4th.
Check this out we’re going to play a different, we’re going with our index finger and play the entire 2nd fret with our middle finger and then play the 3rd fret. Now let’s break it down, what I’m doing is putting my index finger on the 2nd fret and then my middle on the 3rd fret of the 2nd string and then with the ring finger into the 3rd fret of the 1st string and playing with those two positions with the ring finger on and off.
For our last rhythm, it’s going to have more complicated rhythm but is the coolest one, so let me play it slower. Actually it’s very simple we’re going to place our index finger on the 5th fret of the 3rd, 2nd, and 1st string and play it three times then we go down but instead of using our index finger we used our ring finger. That’s all for today I hope you’ve enjoyed this lesson and as usual don’t forget to subscribe to our You Tube Channel and we’ll see you in our next video lessons, thanks for watching.
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Hey, everybody this is George Meyers on behalf of Guitar Control. I do hope that you enjoy this lick and you will find the transcription
Some of the funnest stuff to play on guitar is funk. There is just something special when you hear a sweet funky rhythm on guitar.
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I’ve got a tasty lesson for you today from Jimmy Dillon. We are gearing up for his latest, greatest publication – Eclectic Electric II. Yes, In today’s lesson, we are looking at Barre chords as they can create big sounding funk rhythm guitar parts. In today’s examples we examine barre chord riffs applied with root notes on varying strings. Be sure to check your new barre chord shapes for any unwanted muted notes by picking through each note of the chord individually.
Example one applies some barre chord shapes with a 6th string root. The minor 7th and major 7th chords are a staple of funk guitar playing, and the dominant 11th chord included at the end of bar two is also a popular choice. Your picking hand should remain relaxed throughout this lick. If you are struggling to add the muted parts, start off by leaving them out and add them in when the rest of the progression feels comfortable.
Nile Rodgers once again takes centre stage in example two. This example uses only the minor 7th and major 7th chord shapes, but adds melodic interest by adding in variations using the little finger. When applying barre chord shapes from the 5th (A) string root, keep in mind that the low E string needs to be muted. This is achieved by pushing the edge of your first finger into the E string to dampen and mute the string. Be sure to watch the YouTube video to see how I apply this technique.
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In example four I have created a slightly more complex funk pattern around the key of Bbm. The descending chromatic note pattern on the D string is combined with a melodic high E string part. Learn each chord shape individually and practice the changes with a metronome. Creating rhythm guitar parts that have a D string root note creates space for other band instruments to be heard, especially the bass guitar.
For classic Michael Jackson-style guitar licks, I recommend buying the album “Number Ones.” My favourite track on that album being “Rock With You.”
Hi everyone, Simon here once again for Fundamental Changes. Today we’re looking at the next in our series about funk guitar parts. Let’s go and have a look at 3 examples just after this.
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Today’s lesson is about taking chords, but on different string roots. We’re going to look at a set of chords on the 6
String root or the E note, we’re going to have a look at a string of chords on the A root or the 5
You can see how, throughout this lesson you can build funk guitar parts, but with different root notes and different bar chords. Example 1 then here today is all around our E string, or 6
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Fret bar chord with your minor shape -E minor shape minus your little finger. You end up with 3-5 and 3s all the way across. You’ve got your A minor 7, which is the same shape you did in G, just up 2 frets, at the 5
You’ve got your B flat major 7 here, which is 6, nothing, 7-7-6, nothing, and then on the very end you’ve got your C 7. Some of you may call this B flat over C, which is your 8, nothing, 8-8-6. I’m applying quite a nice, gentle funk pattern throughout these chords here.
These are some 6th string root, big chunky bar chords for you to work on. Let’s go and have a look at Example 2, which is around the 5
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This one is very much in the style of Nile Rodgers and Chic. By now, you guys know how much of a fan of his I am, but showing you how you can break up your neck using just 2 chord shapes: the minor 7 and the major 7 covering quite a lot of ground.
String, but using 1 string can give you some new ideas and get you around the neck, and also get you used to shapes on different bar chord roots.
String root. We’ve got a B flat minor 7, top 4, which is going to be nothing, nothing, 8-6-6-6, then we’ve got this type of F 7 here, which is really rather cool. It’s descending, something you might see as a type of A dominant or A diminished, but for now, we’re going to call it an F 7 – nothing, nothing, 7-8-6-7, then on the top strings we’ve got a B flat minor 9, nothing, nothing, 6-6-6-8, and then we’ve got a top part of an E flat 9. Again you could call this a minor 7 flat 5 from a different root note, but we’re going to call it and E flat 9 top part, nothing, nothing, 5-6-6-6.
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Often these chords can be called different names. It’s fine if you name them something different. I’m just trying to keep them consistent throughout these series of lessons, because we’ve already learned our dominant 9 chord there so you’ll be able to recognize that one.
What I want you to think about is create rhythm guitar parts and where your root notes are: are they on the 6
String, and the obviously you can blend them up. You can go between the 2 string sets, but you can build whole guitar parts by just using 1 string as your root note basis for your whole parts. I really hope this has given you something new to add in your funk rhythm guitar playing.
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Any comments, questions, or ideas, please put them below as I and Joseph both read them, and we love to hear from you too. Take care, speak to you soon.
Hi everyone, thanks for watching this Funk Guitar Lesson. I hope you got something from it. Please go and check out Joseph’s website Fundamental Changes, his books on Amazon that are fantastic, and come and have a look at my YouTube channel
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