While My Guitar Gtly Weeps is a song by the glish rock band the Beatles from their 1968 double album The Beatles (also known as the White Album). It was writt by George Harrison, the band's lead guitarist. Harrison wrote While My Guitar Gtly Weeps as an exercise in randomness inspired by the Chinese I Ching. The song conveys his dismay at the world's unrealised pottial for universal love, which he refers to as the love there that's sleeping. The recording features a lead guitar part from Harrison's frid, Eric Clapton, although he was not formally credited for his contribution.
Harrison first recorded it with a sparse backing of acoustic guitar and harmonium – a version that appeared on the 1996 Anthology 3 outtakes compilation and, with the addition of a string arrangemt by George Martin, on the Love soundtrack album in 2006. The full group recording was made in September 1968, at which point the song's folk-based musical arrangemt was replaced by a production in the heavy rock style. The recording was one of several collaborations betwe Harrison and Clapton during the late 1960s and was followed by the pair co-writing the song Badge for Clapton's group Cream.
On release, the song received praise from several music critics, and it has since be recognised as an example of Harrison's maturing as a songwriter beside his Beatles bandmates John Lnon and Paul McCartney. Rolling Stone ranked While My Guitar Gtly Weeps 136th on its list of The 500 Greatest Songs of All Time, sevth on the 100 Greatest Guitar Songs of All Time, and at number 10 on its list of The Beatles 100 Greatest Songs. Clapton's performance was ranked 42nd in Guitar World's 2008 list of the 100 Greatest Guitar Solos. Harrison and Clapton oft performed the song together live, during which they shared the lead guitar role over the closing section. Live versions featuring the pair were included on the Concert for Bangladesh album in 1971 and Live in Japan in 1992. Backed by a band that included McCartney and Ringo Starr, Clapton performed the song at the Concert for George in November 2002, a year after Harrison's death.
Stream Mr. Alex
The Eastern concept is that whatever happs is all meant to be ... every little item that's going down has a purpose. While My Guitar Gtly Weeps was a simple study based on that theory ... I picked up a book at random, oped it, saw gtly weeps, th laid the book down again and started the song.[6]
George Harrison wrote While My Guitar Gtly Weeps after his return from India, where the Beatles had be studying transcdtal meditation under Maharishi Mahesh Yogi during the spring of 1968. Harrison re-gaged with the guitar as his primary instrumt during the visit, after focusing on the Indian sitar for the previous two years,
Inspiration for the song came while visiting his parts in Warrington, Cheshire, and he began reading the I Ching, or The Book of Changes.
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As Harrison put it, [the book] seemed to me to be based on the Eastern concept that everything is relative to everything else, as opposed to the Western view that things are merely coincidtal.
Embracing this idea of relativism, he committed to writing a song based on the first words he saw upon oping a book, which happed to be gtly weeps.
A demo that Harrison recorded at his home in Esher includes an unused verse: I look at the trouble and hate that is raging / While my guitar gtly weeps / As I'm sitting here, doing nothing but ageing …
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An early acoustic guitar and harmonium performance of the song features a slightly differt third verse: I look from the wings at the play you are staging / While my guitar gtly weeps / As I'm sitting here, doing nothing but ageing …
This version was released on the 1996 compilation Anthology 3 and was used as the basis of the 2006 Love remix, with a string arrangemt by George Martin.
While My Guitar Gtly Weeps was one of the few Beatles compositions from early 1968 that changed markedly from demo form to the official recording.
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Harrison's demos suggest the influce of folk music, yet the Beatles' version is in the heavy rock style typical of much of the band's late 1960s work.
While noting the importance of Harrison's return to the guitar during this period, Gould describes the song as virtually a declaration of his recommitmt to rock.
Aside from the intro, the composition is structured into two rounds of verse and bridge, with an instrumtal passage extding the second of these verse sections, followed by a final verse and a long instrumtal passage that fades out on the released recording.
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The chord progression over the verses includes a descding bass of A–G–F♯ –F (8–♭ 7–6–♭ 6) over an A-minor chord, leading to F-major on the F bass note. According to musicologist Dominic Pedler, the 8–♭ 7–6–♭ 6 progression represts a hybrid of the Aeolian and Dorian modes.
The change to the parallel major key is heralded by a C chord as the verse's pultimate chord (replacing the D used in the second phrase of each verse) before the E that leads into the bridge.
Musicologist Alan Pollack views this combination of C and E as represting a sse of arrival, after which the bridge contains upward [harmonic] gestures that contrast with the bass descts that dominate the verse.
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Such contrasts are limited by the inclusion of minor triads (III, VI and II) played over the E chord that ds the bridge's second and fourth phrases.
In his lyrics to While My Guitar Gtly Weeps, Harrison revisits the theme of universal love and the philosophical concerns that were evidt in his overtly Indian-influced compositions, particularly Within You Without You.
In the description of theologian Dale Allison, the song conveys spiritual angst and an urgt religious point of view without being explicitly theological.
Video: George Harrison & Eric Clapton Perform “while My Guitar Gently Weeps”
Musicologist Walter Everett commts that the change from the minor-mode verse to the parallel major might express hope that unrealized pottial described in the lyrics is to be fulfilled, but the continued minor triads seem to express a strong dismay that love is not to be unfolded.
While My Guitar Gtly Weeps follows in a lyrical tradition established by Woody Guthrie, Pete Seeger and Bo Diddley, whereby emotions and actions are attributed to a musical instrumt.
Harrison biographer Joshua Gree says that its message reflects the pessimism couraged by world evts throughout 1968, such as the assassinations of Martin Luther King and Robert Knedy in the United States, and the Warsaw Pact invasion of Czechoslovakia.
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The Beatles recorded While My Guitar Gtly Weeps several times during the sessions for their self-titled double album, also known as the White Album.
Take 1 on 25 July – the version later issued on Anthology 3 – was a solo performance by Harrison, playing his Gibson J-200 acoustic guitar, with an overdubbed harmonium part.
Sessions on 16 August and 5 September produced full band recordings of the song. In the case of the 16 August version, an overdubbing session on 3 September marked the first time the Beatles had used eight-track recording at EMI Studios.
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According to K Scott, the band's recording gineer, Harrison saw the eight-track recorder in a corridor and, defying EMI regulations that new equipmt should be thoroughly tested, insisted they use it immediately.
At the same session, Harrison overdubbed a backwards (or backmasked) guitar solo, as he had done two years before on I'm Only Sleeping from the Revolver album, but he was not satisfied with the results.
Session that marked Ringo Starr's return to the group after he had walked out on 22 August, upset at the unpleasant atmosphere.
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On 6 September, during a ride from Surrey into London, Harrison asked Clapton to play guitar on the track. Clapton, who considered Harrison's abilities as a songwriter had be held back by Lnon and McCartney,
Harrison convinced him, and Clapton's lead guitar part, played on Harrison's Gibson Les Paul electric guitar Lucy (a rect gift from Clapton), was overdubbed that eving.
Recalling the session in his 2007 autobiography, Clapton says that, while Lnon and McCartney were fairly non-committal, he thought the track sounded fantastic, adding: I knew George was happy, because he listed to it over and over in the control room.
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McCartney also added a second bass part, played on his Fder Jazz Bass rather than on either of his usual Höfner or Rickbacker models.
Still wary that his contribution might prest too much of a departure from the band's sound, Clapton requested that Harrison give the lead guitar track a more Beatley sound wh mixing the song.
The guitar part was run through an ADT circuit with varispeed, with gineer Chris Thomas manipulating the oscillator to achieve the desired wobbly effect.
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Everett credits Clapton's guitar contribution with making the Beatles recording a monumtal track. As particularly notable features, he highlights the increasing lgths of thrice-heard first scale degrees (0:17–0:19), the restraint shown by rests in many bars th unexpected appearances (as at 0:28–0:29), commanding turnaround phrases (0:31–0:33), expressive string bds marking modal changes from C to C♯ (0:47–0:53), power retransition (1:21–1:24),
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