Straightforward guitar tuner. Single screen app that starts in auto tune mode. Simply run the app, hit a string and start tuning your guitar. Tune into the orange region for a good results or green for perfection.
This app uses your microphone to detect the string being played and indicate if you should tune up or down. The sound wave trace (white) is shown bottom left and the frequency spectrum (blue) bottom right. The detected frequency is shown in the meter.
The meter consist of a dial with needle pointing to the current tuning. small divisions are 2 cents and the larger ones 10 cents. The orange markers indicates plus or minus 10 cents away from the targeted note. The note color will change to reflect the distance to the target note. It will become orange when the distance is 10 cents or less and green when the distance is 5 cents or less. This is also indicated in the digital part of the meter.
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The standard guitar (EADGBE) indicates current note being played or allows fast note selection in manual mode. If you have a tiny screen, the guitar will not be displayed.
By default, the app starts in auto mode as indicated by the red auto button. In auto mode the note being played is automatically detected and the meter centered on that frequency. This allows hands free operation since your hands will be needed to tune your guitar.
By turning Auto off, the meter will stay centered at the current note which can be adjusted by either spinning the dial, or selecting the note to tune to from the guitar.
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By pressing the pitch pipe button, it will glow orange and sound the currently selected note. This works best in manual mode and using the guitar to select the note to play. Press the pitch pipe button again to turn it off.
The tuning range is from 30 Hz (B0) to 4186Hz (C8), so the tuner can also be used to tune other stringed instruments. Select manual mode if necessary & spin dial to select lower frequencies.
This tuner is based on the western equal temperament scale with 100 cents between each note. There are other ways to tune a guitar. Personally I prefer to first tune the A string with a tuner and then self tune the remainder of the strings.CueMix FX provides powerful audio analysis visual diagnostic tools for stereo audio signals, from an accurate guitar/instrument tuner to phase and polarity measurement tools, to a full-fledged oscilloscope. Find out how you can improve your sound with these advanced, yet easy-to-use tools.
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Just open the Tuner window, play a note, and use the large graphic display to get in tune with an accuracy of one 10th of a cent (one 1, 000th of a semi-tone). Being in tune has never been easier.
The Tuner displays the detected note by frequency (in Hertz), note name and octave, with an adjustable reference frequency for A4 between 400 and 480 Hz.
CueMix FX provides an optional real-time FFT display super-imposed on top of the graphic EQ curve so you can see as well as hear the effect of your equalization adjustments.
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CueMix FX also provides real-time spectrogram waterfall display that provides rich, detailed visual information about the frequency content of any signal or mix. You can expand the spectrogram to fill the entire resizable CueMix FX on-screen window. You can also combine the spectrogram with the FFT display and EQ curve in the same display, or separate them to view them individually but simultaneously.
The X-Y Plot window graphs a stereo signal on a standard grid with left-channel amplitude on the x-axis and right-channel amplitude on the y-axis. Stereo material that is said to be in polarity (i.e., phase aligned) appears along the x = y axis:
Stereo material that has phase problems will appear along the x = -y axis meaning the signal will appear predominantly in the upper left and lower right of the display. A signal with an extremely wide stereo field will appear much more randomly (not along either axis).
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The Phase Analysis window graphs frequency versus phase difference versus amplitude of a stereo signal on either rectangular or polar coordinates. In the rectangular view, the vertical axis represents frequency, and the horizontal axis represents the phase of the left channel minus the phase of the right channel. Stereo audio that is predominantly in polarity will appear centered along the center vertical axis:
Frequencies that would be canceled by summing to mono are those that touch the -1.0 or +1.0 lines on the left and right.
In the polar view, the radius represents frequency and the angle (theta) from the +y vertical axis represents the phase difference of left channel minus the right channel. Stereo audio that is generally in phase will appear along the +y axis (above the center point). The more the audio signal tips to the left or right, the more out of polarity it is. If it is completely out of phase, it will point downwards from the center point and hover around the -y axis (the part of the y axis below the center point):
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Phase analysis can be used for a broad range of applications in the studio and on the stage. Here are just a few ideas:
The X-Y Plot and Phase Analysis displays make for some seriously freaky visual results, depending on the audio signal you run through them. If you do any visual effects work on the side, take note:
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