One of the most common chord progressions used in music is known as the I-IV-V or 1-4-5, and with it you can play quite a variety of songs across many genres.
In the western scale there are 12 notes and the distances between them make all the difference in how they sound. These are note intervals and the best place to start for ear training.
And the chords built on these degrees end up with the same qualities, they are known as the tonic, subdominant, and dominant.
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While the other major and minor chord degrees bring flavor to the music, it is possible for the consonant chords to survive all alone.
Here is a chart to remind you of all the scale degrees in each key. Pay attention to the 1, 4 and 5 degrees in each key.
This table is taken from my Roman Numbers vs Nashville Number systems tutorial, have a look at it to better understand chord progressions notation.
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Here below I've put an image showing the I V IV progression in most common guitar keys. Try the chords in all keys and get used to the sound!
These diagrams are an excerpt from my complete ebook 52 Chord Progressions | Learn How To Connect Chords and Create Great Songs , in which I'll show you many progressions that are the foundation of plenty of popular songs, in all keys.
It would be hard to find a genre or style of music that doesn't use the I-IV-V, almost everyone has it in a verse or chorus at one point.
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We will use the Key of C first, so play a simple C-F-G and back to C again, notice the F is the weakest of those chords.
The I and V are the strongest and can hold a song on their own, but when the IV is involved its less than perfect qualities help build tension.
Songs with just the I and V or I and IV get a little repetitive. The extra added tension and chord is all that you need to write some great music.
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Also pop and rock examples like Bad Moon Rising, Born To Run, Blitzkrieg Bop, and Twist and Shout show very simple I-IV-V movement.
Almost all of the early blues genre is the same I-IV-I-V-I, they simply go back to the tonic before going to the V.
It adds a little more tension to an already solid chord progression with examples like King of the Road, Johnny B Goode and Blue Suede Shoes.
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Playing C-F-G has a different feel then G-F-C which is usually shown as a I-bVIII-IV, it still sounds great, but it's not really a variation when we change the key.
Along with rearranging these chords there are also many ways to extend them, the most used extension of V7 was mentioned above.
Just using the 1 and 5 on the scale results in a power chord, which is very common in rock, alternative, and metal genres.
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Wild Thing has a I-IV-V5 and a lot of 90's songs sometimes use all power chords (this allows for a nice consonant base to sing, riff, and solo over). The song Good Riddance starts off with both power chords and extensions with a I-IVadd9-V5.
Louie Louie has a I-IV-v (have a look at my Nashville vs Roman Number System tutorial to understand the differences between uppercase and lowercase notation) which is what makes it stand out.
Sometimes songs use all minors in a i-iv-v manner like Black Magic Woman and even a more modern example with Get It Together in hip hop.
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Again, once we start jumbling the orders of the I-IV-V too much or changing them to minor we get away from that major and uplifting feeling.
In some cases certain substitutions will take you into new territory and away from the original consonance, but this is not always a bad thing.
As you practice you will see some of the most popular hits just tried any substitution they could with just these three chords.
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In the end, the best way to learn different varieties of the I-IV-V is to play as many popular songs as possible across genres.
They are the best sounding chords and the backbone of western music, and you will soon see that it's hard to play guitar without running into them!When it comes to popular music, each of the songs has some kind of chord progression. Of course, some are easier than others. Some chord progressions are so obscure and difficult that they are the hardest part of the song.
On the other hand, there are so many famous songs with the simplest possible chord progression where the focus is on lyrics or guitar solo.
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If you are a beginner player there are few guitar progressions you must know if you expect to improve your playing skills. Furthermore, there are famous songs that have one chord during the whole length of the track.
With this in mind, you might understand how something like chord progression can go from being extremely simple to be extremely hard.
In addition, there are so many pop songs that use the same three or four chords, and yet they sound so different.
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If you are new to guitar theory or music theory I suggest you read Guitar Music Theory In Depth Basics a lesson I wrote.
If you feel like your chord changing techniques are not quite there, check out my 17 Tips & 5 Exercises To Improve Your Guitar Chord Changing
But what is a chord progression, anyway? The chord progression is a sequence of two or more chords during the segment of the song. It can be intro, verse, chorus, or anything else. Any chords that are played one after the other will make a chord progression.
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Similar to the scale, there are certain rules about building a progression, but more on that later. For now, it is only important to know that when you play three chords like C, G, and D, that is called a progression of chords.
Basically, the chord progression will be the foundation of your song, and you will base the rest of the song around it.
Of course, if you play with the band, you would consider other instruments as well. But for writing using only your guitar, progression will be the basis of your song.
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There are several ways how musicians could write something like the chord progression. Since before music could be recorded as easily as today, musicians needed a way to somehow write their songs. Of course, if you could read sheet music you will have no problems with chord progressions.
The first one is the one you probably encountered already. It is the simplest way of writing music. The idea is to have the lyrics of the song and simply write chords above the line where the chord is changed.
Each of these writings will have different segments where the first part would be the intro, for example. If there is an intro to the song, you would simply write the chord progression that is used for the intro. And after that, you would write chords above the lyrics whenever there is a chord change.
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While it might be complicated seeing dozens of chords used for the single song, the truth is that there is a much simpler chord progression behind them. What you would need to do is to see how many unique chord changes there are during the song.
It might turn out that there are only three or four different chords for the entire song. We would use letters to address each chord where C would be C major, Cm is minor, Cm7 is C minor seventh, and so on.
The second way of writing the chord progression is using the so-called Nashville number system. The main idea behind this system is to simplify the progression and use only numbers instead of letters.
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This system is using Roman numerals to mark chord progression. Here, we have seven numbers where upper case numbers are used to mark major, while the lower case is used for minor chords.
The first number is the root, the second one is minor second, the third one is also minor, the fourth and fifth are major, the sixth is minor, and the seventh is diminished.
If you opt to use numbers instead of letters, you will have the freedom to play the song in any key you want without thinking too much about it.
Easy & Common Guitar Chord Progressions (with Charts)
For example vi – I – V – IV is a chord progression where the first chord is minor, and the other three are major. But we don’t know what key is the song in.
By using this chart, and taking any song you want, you could simply write the numbers above each chord in the song, and figure out the progression behind them. After that, you can practice playing that song in any other key.
Furthermore, there are seven modes in total and they are Lydian, Ionian, Mixolydian, Dorian, Aeolian (or natural minor), Phrygian, and Locrian. The first three modes are major, the second three are minor, and the last one is diminished.
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