Reamp® devices convert a balanced line-level signal to a high impedance instrument-level output, allowing you to take any previously recorded track and play it back through various guitar pedals or amplifiers to explore new tonal possibilities.
Reamp® Station Studio Reamper & Direct Box The Reamp® Station combines two studio essentials in one chassis: an active DI box for pristine recordings of any instrument, and the JCR high-performance Reamper to feed those recordings to your guitar amps and pedals during mixdown.
Reamp® HP Compact Reamper The Reamp® HP takes the signal from a headphone output jack on an audio interface or a mobile device and converts it to feed mono guitar amps and effects pedals for Reamping.
Why You Should Try A Stereo Guitar Amplifier Rig
EXTC-Stereo Stereo Guitar Effects Interface & Reamper The EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities.
X-Amp 500 Reamper The Radial X-Amp is a 500 series class-A active Reamper with isolated outputs that lets you send a pre-recorded track to two amps and re-record the new sound.
EXTC 500 Guitar Effects Interface The Radial EXTC is a 500 series effects send & receive module that lets you incorporate guitar effects into the realm of pro-audio recording.
Best Reamp Boxes In 2023
ProRMP Studio Reamper The Radial ProRMP is a passive Reamper that lets you take a pre-recorded track and send it through a guitar amp or pedal chain without noise.
JD7 Guitar Distro & Splitter The Radial JD7 Injector is a class-A guitar distro/splitter with built-in Radial DI and Reamp® that can drive up to seven amps or pedal chains simultaneously.
JCR Studio Reamper The Radial Reamp® JCR is a high-performance passive Reamper that lets you take a pre-recorded track and send it through a guitar amp or pedal chain without noise.
Radial Engineering Pro Rmp Passive Reamping Direct Box
EXTC-SA Guitar Effects Interface The Radial EXTC-SA is a stand-alone audio interface that lets you incorporate guitar effects into the realm of pro-audio recording.
X-Amp Active Reamp The Radial X-Amp is a dual output class-A active Reamper that lets you take a pre-recorded track and send it through amps and pedals without noise.Save time (and your guitar player’s fingers) by recording a direct track with a high quality DI box like the Radial J48. This allows you to record their performance without committing to the guitar tone, giving you the ability to Reamp® later on and explore different tonal options without asking the guitarist to perform the piece over and over again.
Sometimes you can record a guitar track that sounds great on its own, only to find that it doesn’t quite sit right in the overall mix. Instead of spending time trying to EQ the guitar or re-recording the track entirely, use a Reamper to audition a range of amps and effects to find the tone that best suits the song. Try recording through multiple amps and blending the tracks together for a full, lush sound.
Palmer River Trave
Reamping gives you the freedom to explore unlimited sonic possibilities by using any combination of pedals, amps, and microphones to create new and unique sounds. Reamping isn’t limited to just guitars – any recorded track can be fed into a Reamp® box, so you can experiment with vocals, drum tracks, or anything in between. Using the Radial EXTC, you can send tracks through your favorite guitar pedal and back into your recording interface without using an amp, opening up even more options when recording and mixing.
J48 Premium Active DI The J48 is a high performance active direct box for live concert touring and professional recording studio applications, with the ability to handle extreme transients without distortion while delivering the natural sound of your instrument.
EXTC-SA Guitar Effects Interface The Radial EXTC-SA is a stand-alone audio interface that lets you incorporate guitar effects into the realm of pro-audio recording.
Universal Audio's Amp Sim Pedals Are An Affordable Route To Convincing Tube Amp Sounds
Get a monthly round-up of the best from our blog, including Education Articles, Product News and Giveaways , sent directly to your inbox. We send out very few emails and will never pass your data on to any third partyThe majority of electric guitar players will tell you that they much prefer the sound of “hardwired” guitars versus going wireless. When you “radio” a signal, there’s not only a sense of disconnect, but the tone never seems quite right.
I noticed this years ago when testing a guitar splitter. One of our engineers sent me a prototype, and after a few minutes of testing, I called him up and said that it worked well but was not quite right. He said, “What do you mean? It is class-A, 100 percent discrete, and has Jensen transformers. It’s perfect!” I replied that while it might be technically perfect, there was still something wrong.
Eventually, we figured out that it had to do with how the pickup was loaded, as well as how tube amps differ from solid state inputs. (This problem is not only common with wireless systems but all types of guitar signal buffers.)
An Easy Guide To Reamping
To solve the problem, we added a control that would enable the guitar tech to adjust the load so that the guitar would sound right. For this to work, the load needs to be applied directly onto the pickup. In other words, if you connect the guitar to a buffer and then try to adjust the load, it will not work. This also means that it has no effect on active pickups.
When using a wireless system, the guitar is connected directly to the wireless transmitter, which then buffers the signal and sends it to the receiver.Then, that output is either routed to the guitar amp, or a fridge full of pedals, or to the front of the stage so that it can go to the pedalboard and then back to the amp (Figure 1).
Because the wireless system is a buffer, the load must be placed in between the guitar output and the transmitter. Radial Engineering makes a device to do this called the Dragster. It’s designed to be attached to the guitar strap and then simply wired in series (Figure 2).
Cabinet Simulator Radial Extc Stereo Reamp Guitar Pedal
Even though this approach works very well, the last thing a guitarist wants is another widget on his strap. A number of artists have also been implementing an old recording trick known as Reamping on the live stage.
When doing this in the studio, you basically take a dry track from the recording system, send it out line level to a Reamp device (“Reamper”), which then convert the balanced signal to an unbalanced one that is better suited for a guitar amp. This enables the studio engineer to capture the performance and worry about getting the “ultimate” guitar tone later.
It works much the same for live. You take the output from the wireless receiver and send it through the Reamper to get the same effect (Figure 3). By converting the signal, the wireless system sounds smoother and more natural. And when artists are happy, they perform better.
Re Amp Box Splitter
A few years back, mix engineer Brad Baisley talked to me about his work with Reamping and related facets for noted country artist Clint Black, and he provided me with this overview:
“I started formulating my approach after a show where Clint expressed concern that his guitar tone was dull. The guitar tech, Kenny Barnwell, and I were also tired of battling noise emanating from the wiring to and from the pedal board. I knew that the 100 feet (each way) run of 1/4-inch cable was primarily to blame for both problems – not the modern RF equipment he was using.
“We added a Radial Headbone amplifier switching device that allows two different guitar amp heads to be used with a single speaker cabinet, and then also decided to try a Radial ProRMP Reamp box as well as an SGI interface to boost the signal. We were immediately happy with the result, both in terms of sonic quality and noise level. Clint noted that his guitar sounds much more natural, with smoother, more extended highs and fuller low end.
Make Your Amp Simulator Sound Even Better By Doing This...
“Another bonus is these devices have XLR interconnects. If the 100-foot cable loom we built is ever too short, I can dig into our audio spares and help the techs extend the wiring with no loss. And, locking XLR connectors add a considerable amount of security.
“The output on the Shure UR4D wireless receiver we use is 200 ohms, while pedals and amps are designed to see much higher impedance. The level of the output is also far higher than that of a guitar. This leaves you having to turn down the output on the receiver compromising on gain structure and signal-to-noise ratio. The Reamp solves this elegantly.
“We also often find that some local PA providers run cross-stage feeder on the downstage lip of the stage, so running long lengths of 1/4-inch cable parallel to it is just asking for noise issues. But with an all-balanced signal flow, that is now barely a concern.
Radial Reamp Station & Reamp Hp
“When setting up Reamping, first we make sure the levels on the wireless receiver are correct. The UR4D has a digitally controlled
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