As an integral part of any style of music, your role as a bass player will be to glue the band together and create a bridge between rhythm and harmony, laying down the foundations for both.
Choosing a bass guitar isn’t an easy task if you don’t know what brands and features to look for. I’ll start this guide by reviewing the best beginner bass guitars at each price point, but if you want to learn more about bass guitars before reading reviews, check out our buying guide at the bottom of the page here.

My Review: The Squier Classic Vibe series was created as Fender’s response to the surge in the demand for vintage guitars and basses. Fender resurrected one of their all-time legends for the Squire Classic Vibe lineup: The Precision Bass in its 1970s specs. The Precision was the first electric bass to earn widespread attention from the general public, becoming one of the best-selling and most imitated bass designs in history. The “vibe” part of the name hints at the fact that this is not a reissue or recreation of a 1970s era Precision Bass, but that it is a modern instrument with certain vintage features added, altering its aesthetics, tone, or handling to more closely resemble an instrument from decades-long past- this is, in essence, a modern tribute to a 1970’s P-bass.
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The body exhibits the standard Precision shape and is made from Nato which is used as a replacement tonewood for Mahogany. This will change the fundamental tone of the Vibe in ways that you might not expect from a 1970s P-bass, the latter having been built with an ash body. The Vibe has a little less pronounced low end but will make up for this with much more midrange presence than its forebearer. There are 2 color options for the Vibe ’70s P-bass: Walnut and Black.
The neck has a narrow C-shaped profile and is made from one solid piece of maple. It includes the fretboard with its ’70s style black binding, black block inlays, and the 20 narrow but tall frets. It is bolted on to the body in its reasonably precise pocket, using 4 screws and a neck plate featuring a Squier engraving. On the back of the neck, you can see the so-called “skunk-stripe” through which the truss rod has been inserted. On the headstock, you’ll find the 4 vintage-style open-backed machine heads, the bone nut, and the Squier Precision Bass logo in its 1970’s variant.
The L-shaped, vintage-style bridge with the threaded steel saddles feels appropriate for the general vibe of the instrument and offers adjustment options for intonation and string height. The hardware on both color variants comes with a nickel finish, while the control knobs and pickguard are made of black plastic with white accents.
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The single, Fender-designed Split-Coil pickup with AlNiCo magnets sits in its rightful place roughly in the middle of the distance between the neck and the bridge. This is obviously a fully passive instrument, with no active preamp and EQ. The control layout features 2 knobs, a master volume, and passive tone control with a treble cut only.
It typically comes with a pretty good factory setup straight out of the box, so you can start playing comfortably the moment you take it out of its wrapping, without having to fiddle with it yourself or taking it for a check-up. The quality of the finish and detailing isn’t as spotless and precise as with non-Squier models. If you take a closer look at your bass you’ll start to see these small imperfections. Luckily they don’t influence playability so it’s not a real issue and also, complaining over minutiae at this price point borders on ungratefulness when you get an instrument as good as this one.

In some regards, the Squier Classic Vibe ’70s Precision Bass is a better instrument than basses from the ’70s ever were. Maybe with this Vibe P-bass, Fender tried to remedy some of the mistakes of the past. The addition of the Mahogany-like Nato tonewood seems to improve on the classic P-bass’ lack of well-defined midrange. If you are looking for your first bass, or second, or third, this could be the one you won’t part with. From thumping dub-like sounds to midrange-heavy tones that cut through any mix like butter – this is the Squier Classic Vibe ’70s, Precision Bass.
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My Review: The GSR series of basses from Ibanez was created for bass players who demand great tone and build quality but at a budget-friendly price point. It almost doesn’t make sense that Ibanez is able to turn out such a good instrument at this price point, but they do. In my opinion, it’s the best beginner bass guitar out there for the money.
The body uses Nyatoh as a tonewood. This is considered to be a more sustainable alternative to Mahogany from which the GSR200’s body was built in the past. Sonically and visually they should be indistinguishable from each other. The GSR200’s body shape is almost identical to the more prestigious SR line, though slightly less contoured than its cousin and the lower cutaway is still ideally crafted to let you reach the highest frets on its fretboard.

The 34″ long scale, bolt-on neck is built from maple with a satin finish and again, very similar to the SR series in terms of shape, feel, playability, and build quality but instead of the 24 frets you find on an SR, there are only 22 medium-sized frets set into the GSR’s fretboard, with simple white dot marker inlays – in a blind test you would be hard-pressed to tell one from the other. The fretboard is made from Jatoba, the same as the SR series, and the sound it imparts is very similar to rosewood.
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It comes in two color variations: Weathered Black and Walnut Flat, both with black hardware and a black headstock. The die-cast tuning keys follow the standard Ibanez 2:2 layout. The B10 bridge is very similar to the classic L-shaped Fender bridges, though the B10 has slightly more bulk behind it and the saddles have an improved design compared to the old school classic, allowing you to set everything up as you like it.
The GSR200B has a passive P-J pickup layout, a Dynamix P style pickup in the neck position paired with a Dynamix J style pickup in the bridge position. It is obvious that Ibanez had versatility in mind while designing this bass, as the P-J is one of the most versatile pickup combinations available. But they didn’t stop there, they added the Phat II active bass boost to the GSR’s arsenal, and at its price point, an active circuit is unique indeed. There are 4 controls to experiment with: 2 volume knobs for each of the pickups, a passive, cut only tone control, and the Phat II bass boost. When adding the Phat II into the mix, you will hear a slightly scooped sound, as it boosts the lows and highs much more than it does the mids. Used together with the passive tone control you can get a wide range of very usable sounds.

The GSR200B is the ultimate beginner bass. It’s got a very fast and comfortable neck, a bright and transparent fundamental tone, an active bass boost circuit, very good build quality, and factory setup – at 200$ this is one instance where you get very much more than what you pay for. It’s available in left handed and 5 and 6-string versions called GSR205B/GSR206B with a slight price adjustment. There is also a short scale version, the GSRM20B, which you can read below by continuing down this list or by clicking here.
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My Review: ESP (Electronic Sound Products) started out in 1975 as a small shop providing custom replacement parts for guitars in Tokyo, Japan. In the early 80’s they expanded their business to New York and shortly after that, started crafting custom instruments for the local artists based there. Following their success as a guitar and bass manufacturer, ESP got out of the replacement parts business, focusing solely on building premium guitars and basses. In 1995 the LTD series was created to build their high-quality instruments at more affordable prices.
Enter the ESP LTD B-204SM 4-string bass (the SM stands for spalted maple). It wears its custom shop DNA on the outside for everyone to see. The delicately contoured body with its double-cutaway is made from solid ash, but the first thing that catches your eye is the beautiful spalted maple top and its matching headstock in a natural finish, an absolute rarity at its price point. The lower cutaway is generous in its size and ensures that you’ll reach the highest registers of the fretboard with ease.

The 34” long scale neck has a thin, U-shaped profile, is built from a 5-piece Maple/Jatoba laminate which bolts on to the body via 6 screws and rests in an oversized and impeccably crafted pocket inside the body.
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The fretboard is made from roasted Jatoba and is sonically comparable to Rosewood. On it, you’ll find
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